Private lives, public deaths : Antigone and the invention of individuality

In Private Lives, Public Deaths , Jonathan Strauss shows how Sophocles tragedy Antigone crystallized the political, intellectual, and aesthetic forces of an entire historical momentfifth century Athensinto one the value of a single living person. That idea existed, however, only as a powerful but unconscious desire. Drawing on classical studies, Hegel, and contemporary philosophical interpretations of this pivotal drama, Strauss argues that Antigones tragedy, and perhaps all classical tragedy, represents a failure to satisfy this longing. To the extent that the value of a living individual remains an open question, what Sophocles attempted to imagine still escapes our understanding. Antigone is, in this sense, a text not from the past but from our future. Here, Jonathan Strauss shows how Sophocles' tragedy 'Antigone' crystallized the political, intellectual, and aesthetic forces of an entire historical moment - fifth-century Athens - into one idea: the value of a single, living person. Here, the author shows how Sophocles' tragedy Antigone crystallized the political, intellectual, and aesthetic forces of an entire historical moment - fifth-century Athens - into one idea: the value of a single, living person Private Lives, Public Deaths draws on classical studies, Hegel, and modern philosophical analyses to describe how Sophocle's tragedy Antigone expresses a key concern of ancient Greek culture: the value of a living individual.