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چاپ و والدین در انگلستان اوایل مدرن

Printing and Parenting in Early Modern England (Women and Gender in the Early Modern World) (Women and Gender in the Early Modern World) (Women and Gender in the Early Modern World)

جلد کتاب چاپ و والدین در انگلستان اوایل مدرن

معرفی کتاب «چاپ و والدین در انگلستان اوایل مدرن» (با عنوان لاتین Printing and Parenting in Early Modern England (Women and Gender in the Early Modern World) (Women and Gender in the Early Modern World) (Women and Gender in the Early Modern World)) نوشتهٔ edited by Douglas A. Brooks، منتشرشده توسط نشر Ashgate; Routledge در سال 2005. این کتاب در 67 صفحه، فرمت pdf، زبان انگلیسی ارائه شده است.

The relation between procreation and authorship, between reproduction and publication, has a long history - indeed, that relationship may well be the very foundation of history itself. The essays in this volume bring into focus a remarkably important and complex phase of this long history. In this volume, some of the most renowned scholars in the field persuasively demonstrate that during the early modern period, the awkward, incomplete transition from manuscript to print brought on by the invention of the printing press temporarily exposed and disturbed the epistemic foundations of English culture. As a result of this cultural upheaval, the discursive field of parenting was profoundly transformed. Through an examination of the literature of the period, this volume illuminates how many important conceptual systems related to gender, sexuality, human reproduction, legitimacy, maternity, kinship, paternity, dynasty, inheritance, and patriarchal authority came to be grounded in a range of anxieties and concerns directly linked to an emergent publishing industry and book trade. In exploring a wide spectrum of historical and cultural artifacts produced during the convergence of human and mechanical reproduction, of parenting and printing, these essays necessarily bring together two of the most vital critical paradigms available to scholars today: gender studies and the history of the book. Not only does this rare interdisciplinary coupling generate fresh and exciting insights into the literary and cultural production of the early modern period but it also greatly enriches the two critical paradigms themselves. Imprints : Shakespeare, Gutenberg, And Descartes / Margreta De Grazia -- Meaning, Seeing Printing / Ann Thompson And John O. Thompson -- Womb Of His Own : Male Renaissance Poets In The Female Body / Katharine Eisaman Maus -- Ben Jonson's Branded Thumb And The Imprint Of Textual Paternity / Lynne Dickson Bruckner -- All Father : Ben Jonson And The Psychodynamics Of Authorship / David Lee Miller -- Bastard Art : Woodcut Illustration In Sixteenth-century England / James A. Knapp -- Promiscuous Textualities : The Nashe-harvey Controversy And The Unnatural Productions Of Print / Maria Teresa Micaela Prendergast -- Birth Of Advertising / Michael Baird Saenger -- Printing Bastards : Monstrous Birth Broadsides In Early Modern England / Aaron W. Kitch -- Red Incke : Reading The Bleeding The Early Modern Page / Bianca F.c. Calabresi -- Marginal Maternity : Reading Lady Anne Cliffords's A Mirror For Magistrates / Stephen Orgel -- Checking The Father : Anxious Paternity And Jacobean Press Censorship / Cyndia Susan Clegg -- Pater Patriae : James I And The Imprint Of Prerogative / Howard Marchitello -- How Many Children Had Alice Walker? / Laurie E. Maguire -- Mothers And Authors : Johnson V Calvert And The New Children Of Our Imagination / Mark Rose -- In Locus Parentis / Judith Roof. Edited By Douglas A. Brooks. Includes Bibliographical References (p. [403]-427) And Index. Cover 1 Half Title 2 Title 4 Copyright 5 Dedication 6 Contents 8 List of Figures 10 Notes on Contributors 14 Acknowledgements 18 Introduction 20 Part I Reproductive Rhetorics 46 1 Imprints: Shakespeare, Gutenberg, and Descartes 48 2 Meaning, 'Seeing', Printing 78 Part II Ink and Kin 106 3 A Womb of His Own: Male Renaissance Poets in the Female Body 108 4 Ben Jonson's Branded Thumb and the Imprint of Textual Paternity 128 5 All Father: Ben Jonson and the Psychodynamics of Authorship 150 Part III Issues of the Book Trade 168 6 The Bastard Art: Woodcut Illustration in Sixteenth-Century England 170 7 Promiscuous Textualities: The Nashe-Harvey Controversy and the Unnatural Productions of Print 192 8 The Birth of Advertising 216 9 Printing Bastards: Monstrous Birth Broadsides in Early Modern England 240 10 'Red Incke': Reading the Bleeding on the Early Modern Page 256 Part IV Parental Authorities 284 11 Marginal Maternity: Reading Lady Anne Clifford's A Mirror for Magistrates 286 12 Checking the Father: Anxious Paternity and Jacobean Press Censorship 310 13 Pater patriae: James I and the Imprint of Prerogative 322 Part V Textual Legacies 344 14 How Many Children Had Alice Walker? 346 15 Mothers and Authors: Johnson v. Calvert and the New Children of Our Imagination 370 16 In Locus Parentis 390 Afterword 414 Bibliography 422 Index 448 Looking at the cultural and historical intersection between textual and sexual reproduction, American and British scholars of literature reveal that during the early modern period, the awkward and incomplete transition from manuscript to print brought on by the invention of the printing press temporarily exposed and disturbed the epistemic foundations of English culture. Among their topics are Ben Jonson's branded thumb and the imprint of textual paternity, woodcut illustration in 16th-century England as the bastard art, monstrous birth broadsides, marginal maternity in Lady Anne Clifford's copy of A Miror for Magistrates , and in locus parentis . Annotation 2005 Book News, Inc., Portland, OR In the Meditations, Descartes alone in his study, sitting by the fire, wrapped in his cloak, resolves to make a clean sweep of all his old opinions - among them, the opinion that external objects are more real than consciousness itself. This collection of essays explores why procreative metaphors were so effective for articulating a range of emergent relations within the early English book trade that had been radically transformed by the invention of movable type
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