Press, revolution, and social identities in France : 1830-1835

"Following his magisterial studies of the press of the Old Regime and the Revolution, Jeremy Popkin turns to periodicals in Lyons in the 1830s. Focusing on how the press inflected political culture, he demonstrates that social classes realized their very existence through competing newspaper images. To understand this press is to comprehend the formation of an emerging industrial society. This book represents a quantum leap in the study of the nineteenth-century press, and Popkin opens up the field in unprecedented fashion." ?—Jack R. Censer, George Mason University In this innovative study of the press during the French Revolutionary crisis of the early 1830s, Jeremy Popkin shows that newspapers played a crucial role in defining a new repertoire of identities?—for workers, women, and members of the middle classes?—that redefined Europe?’s public sphere. Nowhere was this process more visible than in Lyon, the great manufacturing center where the aftershocks of the July Revolution of 1830 were strongest. In July 1830 Lyon?’s population had rallied around its liberal newspaper and opposed the conservative Restoration government. In less than two years, however, Lyon?’s press and its public opinion, like those of the country as a whole, had become irrevocably fragmented. Popkin shows how the structure of the "journalistic field" in liberal society multiplied political conflicts and produced new tensions between the domains of politics and culture. New periodicals appeared claiming to speak for workers, for women, and for the local interests of Lyon. The public was becoming inherently plural with the emergence of new "imagined communities" that would dominate French public life well into the twentieth century. Jeremy Popkin is well known for his earlier studies of journalism during the eighteenth century and the French Revolution. In Press, Revolution, and Social Identities in France, he not only moves forward in time but also offers a new model for a cultural history of journalism and its relationship to literature.

In this innovative study of the press during the French Revolutionary crisis of the early 1830s, Jeremy Popkin shows that newspapers played a crucial role in defining a new repertoire of identities-for workers, women, and members of the middle classes-that redefined Europe’s public sphere.

Nowhere was this process more visible than in Lyon, the great manufacturing center where the aftershocks of the July Revolution of 1830 were strongest. In July 1830 Lyon’s population had rallied around its liberal newspaper and opposed the conservative Restoration government. In less than two years, however, Lyon’s press and its public opinion, like those of the country as a whole, had become irrevocably fragmented. Popkin shows how the structure of the journalistic field in liberal society multiplied political conflicts and produced new tensions between the domains of politics and culture. New periodicals appeared claiming to speak for workers, for women, and for the local interests of Lyon. The public was becoming inherently plural with the emergence of new imagined communities that would dominate French public life well into the twentieth century.

Jeremy Popkin is well known for his earlier studies of journalism during the eighteenth century and the French Revolution. In Press, Revolution, and Social Identities in France, he not only moves forward in time but also offers a new model for a cultural history of journalism and its relationship to literature.

In this innovative study of the press during the French Revolutionary crisis of the early 1830s, Jeremy Popkin shows that newspapers played a crucial role in defining a new repertoire of identities -- for workers, women, and members of the middle classes -- that redefined Europe's public sphere.Nowhere was this process more visible than in Lyon, the great manufacturing center where the aftershocks of the July Revolution of 1830 were strongest. In July 1830, Lyon's population had rallied around its liberal newspaper and opposed the conservative Restoration government. In less than two years, however, Lyon's press and its public opinion, like those of the country as a whole, had become irrevocably fragmented. Popkin shows how the structure of the "journalistic field" in liberal society multiplied political conflicts and produced new tensions between the domains of politics and culture. New periodicals claiming to speak for workers, for women, and for the local interests of Lyon appeared. The public was becoming inherently plural with the emergence of new "imagined communities" that would dominate French public life well into the twentieth century.Jeremy Popkin is well known for his earlier studies of journalism during the eighteenth century and the French Revolution. In Press, Revolution, and Social Identities in France, he not only moves forward in time but also offers a new model for a cultural history of journalism and its relationship to literature. In this innovative study of the press during the French Revolutionary crisis of the early 1830s, Jeremy Popkin shows that newspapers played a crucial role in defining a new repertoire of identities -- for workers, women, and members of the middle classes -- that redefined Europe's public sphere.Nowhere was this process more visible than in Lyon, the great manufacturing center where the aftershocks of the July Revolution of 1830 were strongest. In July 1830 Lyon's population had rallied around its liberal newspaper and opposed the conservative Restoration government. In less than two years, however, Lyon's press and its public opinion, like those of the country as a whole, had become irrevocably fragmented. Popkin shows how the structure of the "journalistic field" in liberal society multiplied political conflicts and produced new tensions between the domains of politics and culture. New periodicals appeared, claiming to speak for workers, for women, and for the local interests of Lyon. The public was becoming inherently plural with the emergence of new "imagined communities" that would dominate French public life well into the twentieth century.Jeremy Popkin is well known for his earlier studies of journalism during the eighteenth century and the French Revolution. In Press, Revolution, and Social Identities in France, he not only moves forward in time but also offers a new model for a cultural history of journalism and its relationship to literature. Copyright......Page 5 Contents......Page 6 List of Illustrations......Page 8 Acknowledgments......Page 10 Abbreviations......Page 12 Introduction......Page 14 1 Newspapers, Journalists, and Public Space......Page 36 2 The Press, Liberal Society, and Bourgeois Identity......Page 80 3 Reshaping Journalistic Discourse......Page 118 4 Echoes of the Working Classes......Page 148 5 Creating Events......Page 180 6 Textualizing Insurrection......Page 206 7 From Newspapers to Books......Page 242 Conclusion......Page 276 Appendix 1: Sophie Grangé, “Moi” and “A la femme”......Page 284 Appendix 2: The Écho de la fabrique’s Anniversary Salute to the Victims of the 1831 Workers’ Insurrection......Page 290 Notes......Page 292 Bibliography......Page 320 Index......Page 334 Back Cover......Page 343