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Presidential Debates: Forty Years of High-risk TV (Forty Years of High-risk TV)

معرفی کتاب «Presidential Debates: Forty Years of High-risk TV (Forty Years of High-risk TV)» نوشتهٔ Alan Schroeder، منتشرشده توسط نشر Columbia University Press در سال 2000. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Drawing on his own experience as an award-winning reporter and TV producer and through illuminating interviews with journalists and producers who have worked on presidential debates, Alan Schroeder sheds new light on every debate from 1960 to the present. From the selection of questioners to the camera angles, from issues of makeup to lighting and stage set, Schroeder shows how decisions are made that influence every aspect of what the audience perceives. Presidential Debates: Forty Years of High-Risk TV takes readers on a fascinating backstage tour, approaching the debates within the framework of the fundamental steps to which TV producers adhere: preproduction, production, and postproduction. Calling upon behind-the-scenes stories from seven campaign seasons, Schroeder illustrates how the live component of the debates, far from diminishing dramatic potential, increases our anticipation -- not least because of viewer curiosity to watch one candidate make a grave error and go down in flames. Presidential Debates illuminates such details as: • the elaborate attempts to offset height discrepancies between candidates, such as the "belt buckle compromise" between Carter and Ford mandating the height of the candidates' respective podiums; • the full story behind debate moderator Bernard Shaw's infamous question to Michael Dukakis about his wife being hypothetically raped and murdered; and • the calculation and faux-spontaneity of Reagan's influential quip, "There you go again," which effectively dismissed Carter's pointed accusations about health care. With innumerable behind-the-scenes stories about the candidates, their advisers, the on-air correspondents, the producers, and other backstage lore, Schroeder illustrates how, like all forms of television, debates combine artifice with truth. An unusual blend of civics and show biz, the presidential debates are revealed here as both carefully scripted rituals and opportunities for the totally unexpected.

Drawing on his own experience as an award-winning reporter and TV producer and through illuminating interviews with journalists and producers who have worked on presidential debates, Alan Schroeder sheds new light on every debate from 1960 to the present. From the selection of questioners to the camera angles, from issues of makeup to lighting and stage set, Schroeder shows how decisions are made that influence every aspect of what the audience perceives. Presidential Debates: Forty Years of High-Risk TV takes readers on a fascinating backstage tour, approaching the debates within the framework of the fundamental steps to which TV producers adhere: preproduction, production, and postproduction. Calling upon behind-the-scenes stories from seven campaign seasons, Schroeder illustrates how the live component of the debates, far from diminishing dramatic potential, increases our anticipation -- not least because of viewer curiosity to watch one candidate make a grave error and go down in flames.

Presidential Debates illuminates such details as:

• the elaborate attempts to offset height discrepancies between candidates, such as the "belt buckle compromise" between Carter and Ford mandating the height of the candidates' respective podiums;

• the full story behind debate moderator Bernard Shaw's infamous question to Michael Dukakis about his wife being hypothetically raped and murdered; and

• the calculation and faux-spontaneity of Reagan's influential quip, "There you go again," which effectively dismissed Carter's pointed accusations about health care.

With innumerable behind-the-scenes stories about the candidates, their advisers, theon-air correspondents, the producers, and other backstage lore, Schroeder illustrates how, like all forms of television, debates combine artifice with truth. An unusual blend of civics and show biz, the presidential debates are revealed here as both carefully scripted rituals and opportunities for the totally unexpected.

Alan Schroeder's popular history now covers the 2000 Bush-Gore and 2004 Bush-Kerry debates, including innovations in format and press coverage, and adds new research on televised debates since 1960. Schroeder organizes his book according to a television production timeline, highlighting the importance of pre- and postdebate periods, as well as the live telecasts themselves. He describes production in painstaking detail, from the selection of questioners to camera angles, from makeup to lighting and set design. Televised debates represent a rare departure from well-choreographed campaigns, and new media such as YouTube continue to reshape form and content. Conducting interviews with journalists and industry insiders, and drawing on his own experience as an award-winning reporter and television producer, Schroeder delivers a fascinating backstage tour of every aspect of debate performance. "Alan Schroeder sheds new light on every debate from 1960 to the present. From the selection of questioners to the camera angles, from issues of makeup to lighting and stage set, Schroeder shows how decisions are made that influence every aspect of what the audience perceives. The Presidential Debates: Forty Years of High-Risk TV takes readers on a backstage tour, approaching the debates within the framework of the fundamental steps to which TV producers adhere: preproduction, production, and postproduction. Calling upon behind-the-scenes stories from seven campaign seasons, Schroeder illustrates how the live component of the debates, far from diminishing dramatic potential, increases our anticipation - not least because of viewer curiosity to watch one candidate make a grave error and go down in flames."--BOOK JACKET. Takes readers on a backstage tour, approaching the presidential debates within the framework of the fundamental steps to which TV producers adhere - preproduction, production, and postproduction. This book illustrates how, like all forms of television, debates combine artifice with truth. Drawing on his experiences as a television reporter and producer, along with interviews with journalists and producers who have worked on presidential debates, Alan Schroeder sheds light on every presidential debate from 1960. He shows how issues like lighting can influence the outcome

Schroeder investigates the nuts and bolts of presidential debates as they play out on live television, shedding light on the dramatic aspects that make these political contests "must-see TV."

A few weeks after losing the 1960 election, Richard Nixon went for a sail off the coast of Florida with a group of associates that included a trusted adviser named Leonard Hall.
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