Present Pasts: Patrick Modiano's (Auto)Biographical Fictions (Faux Titre 255) (Faux Titre)

This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects. The texts covered range from La Place de l'?toile (1968) through to La Petite Bijou (2001). Close textual analysis is combined with a theoretical approach based on current thinking in autobiography, biography, and reader-response. Modiano's use of autofiction and biofiction is analysed in the light of his continuing obsession with both personal trauma and History, as well as his problematic relationship with his paternally-inherited Jewish links. His view of identity (of self and other) is thus discussed in relation to a particular literary and socio-historical context - French, postmodern, post-World War II, and post-Holocaust. This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects. The texts covered range from La Place de l'étoile (1968) through to La Petite Bijou (2001). Close textual analysis is combined with a theoretical approach based on current thinking in autobiography, biography, and reader-response. Modiano's use of autofiction and biofiction is analysed in the light of his continuing obsession with both personal trauma and History, as well as his problematic relationship with his paternally-inherited Jewish links. His view of identity (of self and other) is thus discussed in relation to a particular literary and socio-historical context– French, postmodern, post-World War II, and post-Holocaust. This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects. The texts covered range from La Place de l'etoile (1968) through to La Petite Bijou (2001). Close textual analysis is combined with a theoretical approach based on current thinking in autobiography, biography, and reader-response. Modiano's use of autofiction and biofiction is analysed in the light of his continuing obsession with both personal trauma and History, as well as his problematic relationship with his paternally-inherited Jewish links. His view of identity (of self and other) is thus discussed in relation to a particular literary and socio-historical context - French, postmodern, post-World War II, and post-Holocaust This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects. The texts covered range from La Place de l'itoile (1968) through to La Petite Bijou (2001). Close textual analysis is combined with a theoretical approach based on current thinking in autobiography, biography, and reader-response. Modiano's use of autofiction and biofiction is analysed in the light of his continuing obsession with both personal trauma and History, as well as his problematic relationship with his paternally-inherited Jewish links. His view of identity (of self and other) is thus discussed in relation to a particular literary and socio-historical context - French, postmodern, post-World War II, and post-Holocaust This chapter provides an overview of the foregrounding of storytellers and interpreters in Modiano's work, in the context of autobiographical and biographical-cum-historiographical writing in the texts. "This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects."--BOOK JACKET