سینمای سیاسی در بنگلادش: گفتگویی با سینمای سوم

Political Cinema in Bangladesh: A Dialogue with Third Cinema Front Cover Front Matter Title Page Copyright Page Dedication Note from the Director General Acknowledgement Preface Content Main Text Chapter One Introduction Literature Review Political Cinema Counter Cinema Third Cinema Militant Cinema Research Questions Theoretical Framework Third Cinema Theory Framework for Film Analysis Production Thematic Issues Historicity Politicization Critical Commitment Cultural Specificity Formal Issues Film Language Distribution/Exhibition Methodology Chapter Two Historiography of Bangladeshi Politically Informed Cinema Politically Conscious Fictional Cinema Kokhono Asheni Jibon Theke Neya Abar Tora Manush Ho Dhire Bohe Meghna Rupali Shoikotey Ghuddi Dahan Chaka Chitra Nodir Pare Matir Moina Runway Politically Conscious Documentaries Chapter Three Abar Tora Manush Ho (1973): A Politically Conscious Attempt in Filmmaking in the Post-independence Bangladesh Socio-political Context Abar Tora Manush Ho: Storyline Abar Tora Manush Ho: Political Criticism through the Transformation of Traditional Cinema Techniques Historicity Politicization Critical Commitment Cultural Specificity Formal Issues Distribution/Exhibition Chapter Four Rupali Shoikotey (1979): An Allegorical Protest against Political Suppression Socio-political Context Rupali Shoikotey: Storyline Rupali Shoikotey: The Past as an Allegory for the Present Historicity Politicization Critical Commitment Cultural Specificity Formal Issues Distribution/Exhibition Chapter Five Conclusion End Matter Bibliography End Pages Back Cover