Poems for the Millennium, Volume Three Vol. 3: The University of California Book of Romantic and Postromantic Poetry

The previous two volumes of this acclaimed anthology set forth a globally decentered revision of twentieth-century poetry from the perspective of its many avant-gardes. Now editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Global in its range, volume three gathers selections from the poetry and manifestos of canonical poets, as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, Rothenberg and Robinson feature prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms seen here as if for the first time. The anthology also explores romanticism outside the European orbit and includes ethnopoetic and archaeological works outside the literary mainstream. The range of volume three and its skewing of the traditional canon illuminate the process by which romantics and post- romantics challenged nineteenth-century orthodoxies and propelled poetry to the experiments of a later modernism and avant-gardism. The first volume offers three "galleries" of individual poets - figures such as Mallarmé, Stein Rilke Tzara, Mayakovsky, Pound, H.D., Vallejo, Artaud, Césaire, and Tsvetaeva - along with a sampling of the most significant pre-World War II movements in poetry and the other arts: Futurism, Expressionism, Dada, Surrealism, "Objectivism", Negritude. In the second volume editors Jerome Rothenberg and Pierre Joris have extended the gathering to the present day. In the third volume editors Jerome Rothenberg and Jeffrey C. Robinson bring a radically new interpretation to the poetry of the preceding century, viewing the work of the romantic and postromantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism Views the work of the romantic and post-romantic poets as an international, collective, often utopian enterprise that became the foundation of experimental modernism. Defining romanticism as experimental and visionary, this book features prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms This volume gathers selections from the poetry and manifestos of canonical poets as well as the work of lesser-known but equally radical poets. Defining romanticism as experimental and visionary, it features prose poetry, verbal-visual experiments, and sound poetry, along with more familiar forms