Plotting the prince : Shōtoku cults and the mapping of medieval Japanese Buddhism

__Plotting the Prince__ traces the development of conceptual maps of the world created through the telling of stories about Prince Shōtoku (573?–622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult of personality dedicated to him, focusing on the art created from the tenth to fourteenth centuries. The book asks not only who Shōtoku was, but also how images of his life served the needs of devotees in early medieval Japan. Even today Shōtoku evokes images of a half-real, half-mythical figure who embodied the highest political, social, and religious ideals. Taking up his story about four centuries after his death, this study traces the genesis and progression of Shōtoku’s sacred personas in art to illustrate their connection to major religious centers such as Shitenno-ji and Hōryū-ji. It argues that mapping and storytelling are sister acts—both structuring the world in subtle but compelling ways—that combined in visual narratives of Shōtoku’s life to shape conceptions of religious legitimacy, communal history, and sacred geography. __Plotting the Prince__ introduces much new material and presents provocative interpretations that call upon art historians to rethink fundamental conceptions of narrative and cultic imagery. It offers social and political historians a textured look at the creation of communal identities on both local and state levels, scholars of religion a substantially new way of understanding key developments in doctrine and practice, and those studying the past in general a clear instance of visual hagiography taking precedence over the textual tradition. Plotting the Prince traces the development of conceptual maps of the world created through the telling of stories about Prince Sh�otoku (573?-622?), an eminent statesman who is credited with founding Buddhism in Japan. It analyzes his place in the sacred landscape and the material relics of the cult of personality dedicated to him, focusing on the art created from the tenth to fourteenth centuries. The book asks not only who Sh�otoku was, but also how images of his life served the needs of devotees in early medieval Japan.Even today Sh�otoku evokes images of a half-real, half-mythical figure who embodied the highest political, social, and religious ideals. Taking up his story about four centuries after his death, this study traces the genesis and progression of Sh�otoku's sacred personas in art to illustrate their connection to major religious centers such as Shitenno-ji and H�ory�u-ji. It argues that mapping and storytelling are sister acts-both structuring the world in subtle but compelling ways-that combined in visual narratives of Sh�otoku's life to shape conceptions of religious legitimacy, communal history, and sacred geography.Plotting the Prince introduces much new material and presents provocative interpretations that call upon art historians to rethink fundamental conceptions of narrative and cultic imagery. It offers social and political historians a textured look at the creation of communal identities on both local and state levels, scholars of religion a substantially new way of understanding key developments in doctrine and practice, and those studying the past in general a clear instance of visual hagiography taking precedence over the textual tradition

Determined to be a U.S. Marine Corps officer, Bruce Yamashita enrolled in Officer Candidate School, where he was the target of persistent racial harassment by officers and staff. After enduring nine weeks of emotional and physical abuse, Yamashita was "disenrolled" in April 1989 - kicked out of the Marine Corps because of the color of his skin. Fighting Tradition is Yamashita's own story of his courageous struggle to expose a pattern of racial discrimination against minorities that has existed at various levels of the Corps.

With the support of a broad coalition of community and civil rights organizations, the Hawaii-born law school graduate fought a five-year-long legal, political, and media battle against the military establishment that ended in his commissioning as a captain and the revision of Marine Corps policies and procedures. Fighting Tradition not only is a moving story of personal sacrifice and vision, but contributes also both directly and indirectly to our understanding of the complexities of institutional racism in a politically conservative, demographically shifting society. It is a unique window into the dynamics of race, government, and the law and a stirring reminder of the importance of political mobilization by the individual to achieve justice.

Contents Illustrations Acknowledgments Conventions Introduction: The Lay of the Land Part I. Faces of Shōtoku: Cultic Identities through Time Part II. Mapping Shōtoku’s Tale: Cultic Identities in Place Epilogue: Afterlives Appendix: List of Selected Events in the Life of the Legendary Shōtoku Notes Bibliography Index About the Author