Plasticity at the Dusk of Writing: Dialectic, Destruction, Deconstruction (Insurrections: Critical Studies in Religion, Politics, and Culture)

A former student and collaborator of Jacques Derrida, Catherine Malabou has generated worldwide acclaim for her progressive rethinking of postmodern, Derridean critique. Building on her notion of plasticity, a term she originally borrowed from Hegel's __Phenomenology of Spirit__ and adapted to a reading of Hegel's own work, Malabou transforms our understanding of the political and the religious, revealing the malleable nature of these concepts and their openness to positive reinvention. In French to describe something as plastic is to recognize both its flexibility and its explosiveness-its capacity not only to receive and give form but to annihilate it as well. After defining plasticity in terms of its active embodiments, Malabou applies the notion to the work of Hegel, Heidegger, Levinas, Levi-Strauss, Freud, and Derrida, recasting their writing as a process of change (rather than mediation) between dialectic and deconstruction. Malabou contrasts plasticity against the graphic element of Derrida's work and the notion of trace in Derrida and Levinas, arguing that plasticity refers to sculptural forms that accommodate or express a trace. She then expands this analysis to the realms of politics and religion, claiming, against Derrida, that "the event" of justice and democracy is not fixed but susceptible to human action. "A former student and collaborator of Jacques Derrida, Catherine Malabou has generated worldwide acclaim for her progressive rethinking of postmodern, Derridean critique. Building on her notion of plasticity, a term she originally borrowed from Hegel's Phenomenology of Spirit and adapted to a reading of Hegel's own work, Malabou transforms our understanding of the political and the religious, revealing the malleable nature of these concepts and their openness to positive reinvention." "In French to describe something as plastic is to recognize both its flexibility and its explosiveness - its capacity not only to receive and give form but to annihilate it as well. After defining plasticity in terms of its active embodiments, Malabou applies the notion to the work of Hegel, Heidegger, Levinas, Levi-Strauss, Freud, and Derrida, recasting their writing as a process of change (rather than mediation) between dialectic and deconstruction. Malabou contrasts plasticity against the graphic element of Derrida's work and tile notion of trace in Derrida and Levinas, arguing that plasticity refers to sculptural forms that accommodate or express a trace. She then expands this analysis to the realms of politics and religion, claiming, against Derrida, that "the event" of justice and democracy is not fixed but susceptible to human action."--Jacket

Gay parenting is a topic on which almost everyone has an opinion but almost nobody has any facts. Here at last is a book based on a thorough review of the literature, as well as interviews with a pioneering group of men who in the 1980s chose to become fathers outside the boundaries of a heterosexual union -- through foster care, adoption, and other kinship relationships.

This book reveals how very natural and possible gay parenthood can be. What factors influence this decision? How do the experiences of gay dads compare to those of heterosexual men? How effectively do professional services such as support groups serve gay fathers and prospective gay fathers? What elements of the social climate are helpful -- and hurtful? Gay Men Choosing Parenthood challenges a great deal of misinformation, showing how gay fathers from different backgrounds adapted, perceived, and constructed their options and their families.

Columbia University Press

This primer on gay male parenting combines a literature review with evidence from interviews with men who have successfully negotiated the barriers to fostering & adoption outside the conventional nuclear family scenario, & compares the experiences of gay & heterosexual men Contents Foreword by Clayton Crockett Translator's Introduction by Carolyn Shread PLASTICITY AT THE DUSK OF WRITING Afterword: Of the Impossibility of Fleeing - Plasticity Notes