Persons and Things

Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropes - without ever losing sight of the ethical imperative with which she begins: the need to treat persons as persons.In "Persons and Things", Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we know: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art "is formed around something missing," this "void is its vanishing point, not its essence." She shows deftly and delicately that the void inside Keats' urn, Heidegger's jug, or Wallace Stevens' jar forms the center around which we tend to organize our worlds.The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnson's caliber could reveal to us.

moving Effortlessly Between Symbolist Poetry And Barbie Dolls, Artificial Intelligence And Kleist, Kant, And Winnicott, Barbara Johnson Not Only Clarifies Psychological And Social Dynamics; She Also Re-dramatizes The Work Of Important Tropes—without Ever Losing Sight Of The Ethical Imperative With Which She Begins: The Need To Treat Persons As Persons.

in persons And Things, Johnson Turns Deconstruction Around To Make A Fundamental Contribution To The New Aesthetics. She Begins With The Most Elementary Thing We Know: Deconstruction Calls Attention To Gaps And Reveals That Their Claims Upon Us Are Fraudulent. Johnson Revolutionizes The Method By Showing That The Inanimate Thing Exposed As A Delusion Is Central To Fantasy Life, That Fantasy Life, However Deluded, Should Be Taken Seriously, And That Although A Work Of Art “is Formed Around Something Missing,” This “void Is Its Vanishing Point, Not Its Essence.” She Shows Deftly And Delicately That The Void Inside Keats’s Urn, Heidegger’s Jug, Or Wallace Stevens’s Jar Forms The Center Around Which We Tend To Organize Our Worlds.

the New Aesthetics Should Restore Fluidities Between Persons And Things. In Pursuing It, Johnson Calls Upon Ovid, Keats, Poe, Plath, And Others Who Have Inhabited This In-between Space. The Entire Process Operates Via A Subtlety That Only A Critic Of Johnson’s Caliber Could Reveal To Us.

bob Lane - Metapsychology

a Most Readable And Interesting Book Filled With Insightful Comments On Everything From Toys R Us To Lyric Poetry...the Book Has Rich Interpretations Of The Usual Suspects (derrida, Foucault, Paul De Man, Nietzsche, Baudelaire), Rich And Comprehensive Notes, And A Useful Index.

Moving effortlessly between symbolist poetry and Barbie dolls, artificial intelligence and Kleist, Kant, and Winnicott, Barbara Johnson not only clarifies psychological and social dynamics; she also re-dramatizes the work of important tropeswithout ever losing sight of the ethical imperative with which she the need to treat persons as persons. In Persons and Things , Johnson turns deconstruction around to make a fundamental contribution to the new aesthetics. She begins with the most elementary thing we deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. Johnson revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously, and that although a work of art is formed around something missing, this void is its vanishing point, not its essence. She shows deftly and delicately that the void inside Keatss urn, Heideggers jug, or Wallace Stevenss jar forms the center around which we tend to organize our worlds. The new aesthetics should restore fluidities between persons and things. In pursuing it, Johnson calls upon Ovid, Keats, Poe, Plath, and others who have inhabited this in-between space. The entire process operates via a subtlety that only a critic of Johnsons caliber could reveal to us. In Persons And Things, Johnson Turns Deconstruction Around To Make A Fundamental Contribution To The New Aesthetics. She Begins With The Most Elementary Thing We Know: Deconstruction Calls Attention To Gaps And Reveals That Their Claims Upon Us Are Fraudulent. Johnson Revolutionizes The Method By Showing That The Inanimate Thing Exposed As A Delusion Is Central To Fantasy Life, That Fantasy Life, However Deluded, Should Be Taken Seriously, And That Although A Work Of Art Is Formed Around Something Missing, This Void Is Its Vanishing Point, Not Its Essence. She Shows That The Void Inside Keats's Urn, Heidegger's Jug, Or Wallace Stevens's Jar Forms The Center Around Which We Tend To Organize Our Worlds.--jacket. Toys R Us : Legal Persons, Personal Pronouns, Definitions -- The Poetics Of Things : Marianne Moore And Francis Ponge -- Monuments -- Ego Sum Game -- They Urn It -- Puppets And Prostheses -- Using People : Kant With Winnicott -- Romancing The Stone -- Surmounted Beliefs -- Artificial Life -- Real Dolls -- Animation -- Face Value -- Anthropomorphism In Lyric And Law -- Lost Cause. Barbara Johnson. Includes Bibliographical References (p. [235]-249) And Index. Johnson begins with the most elementary thing we know: deconstruction calls attention to gaps and reveals that their claims upon us are fraudulent. She revolutionizes the method by showing that the inanimate thing exposed as a delusion is central to fantasy life, that fantasy life, however deluded, should be taken seriously.