Performing The Divine: Mediums, Markets And Modernity In Urban Vietnam (nordic Institute Of Asian Studies (nias) Monographs)

Deals with timely and important topics for scholars of Vietnam as well as those interested in the cross-cultural study of popular religions. "Vietnam in the last two decades has experienced not only market reform and significant economic growth but also a related, symbiotic revival of popular religion. It is no surprise, then, that popular beliefs and rituals that once were attacked as wasteful and superstitious have again become a conspicuous feature of contemporary urban and rural life. A new blossoming of spirit mediumship has been part of this revival, not least that involving ritual possession by the deities of the Four Palace Pantheon, which this study based in urban Hanoi brings to life with a deft handling of complex theory, historical research, ethnographic material and analysis. This is indeed a sojourn into the world of mediumship in contemporary urban Vietnam - a spirited world full of colour, laughter, music and ritual dance that operates according to its own rules and principles - but it is also an insightful study of spirituality, performance, gender and heritage, one that highlights the fluidity of ritual practice and contestations of ritual performance among practitioners."--Publisher's website. Focusing on the flourishing of urban spirit mediumship as part of the recent revival of popular religion in Vietnam, this study offers rich insights into how the complex dynamics of reformed, market-oriented socialism are played out in ritual practice. For scholars of Vietnam and those interested in the cross-cultural study of popular religions. Book Title Contents Preface 1. Introduction: Inviting the Spirits 2. Personal Fate and Spirit Identities 3. Performing the Divine 4. Negotiating the Rules of Proper Performance 5. The (Gendered) World of Mediumship 6. The Heritagisation of Four Palace Mediumship 7. Epilogue: Return to the Realm Glossary Bibliography Index