Painter and Poet in Ancient Greece: Iconography and the Literary Arts (Beiträge Zur Altertumskunde)

NE: GT Das Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. Jede Verwertung außerhalb der engen Grenzen des Urheberrechtsgesetzes ist ohne Zustimmung des Verlages unzulässig und strafbar. Das gilt besonders für Vervielfältigungen, Übersetzungen, Mikroverfilmungen und die Einspeicherung und Verarbeitung in elektronischen Systemen. Acknowledgements 5 Introduction 7 List of Illustrations 13 Key to special Abbreviations 21 1. Mystery Elements in Menander’s Dyscolus 29 2. The Ass in the Cult of Dionysus as a Symbol of Toil and Suffering 43 3. The Samia of Menander: An Interpretation of its Plot and Theme 73 4. Une Cible de la Satire: Le locus amoenus 95 5. Skiagraphia once again 109 6. Ethos in Menander 147 7. The happy Ending: Classical Tragedy and Apulian funerary Art 155 8. Aeschylus’ Niobe and Apulian funerary Symbolism 171 9. Rhetoric and visual Aids in Greece and Rome 203 10. The Hetaera and the Housewife: The Splitting of the female Psyche in Greek Art 219 11. The Brink of Death in Classical Greek Painting 247 12. Patriotic Propaganda and counter-cultural Protest in Athens as evidenced by Vase Painting 273 13. The gentle Satire of the Penthesileia Painter: A new Cup with Dionysiac Motifs 279 14. The social Position of Attic Vase Painters and the Birth of Caricature 285 15. The Corpus Vasorum Antiquorum, the Lexicon Iconographicum Mythologiae Classicae and the Beazley Archive Project: Different Databases for the Study of Greek Iconography 295 16. Clytemnestra and Telephus in Greek Vase-Painting 315 17. The feminist View of the Past: A Comment on the ‘Decentering’ of the Poems of Ovid 327 18. Rembrandt’s Use of Classical Motifs 333 19. The Greek medical Texts and the sexual Ethos of ancient Athens 347 20. Scenes from Attic Tragedy on Vases found in Sicily and Lipari 363 Bibliography of original Publications 373 Mystery Elements In Menander's Dyscolus -- The Ass In The Cult Of Dionysus As A Symbol Of Toil And Suffering -- The Samia Of Menander : An Interpretation Of Its Plot And Theme -- Une Cible De La Satire : Le Locus Amoenus -- Skiagraphia Once Again -- Ethos In Menander -- The Happy Ending : Classical Tragedy And Apulian Funerary Art -- Aeschylus' Niobe And Apulian Funerary Symbolism -- Rhetoric And Visual Aids In Greece And Rome -- The Hetaera And The Housewife : The Splitting Of The Female Psyche In Greek Art -- The Brink Of Death In Classical Greek Painting -- Patriotic Propaganda And Counter-cultural Protest In Athens As Evidenced By Vase Painting -- The Gentle Satire Of The Penthesileia Painter : A New Cup With Dionysiac Motifs. The Social Position Of Attic Vase Painters And The Birth Of Caricature -- The Corpus Vasorum Antiquorum, The Lexicon Iconographicum Mythologiae Classicae And The Beazley Archive Project : Different Databases For The Study Of Greek Iconography -- Clytemnestra And Telephus In Greek Vase-painting -- The Feminist View Of The Past : A Comment On The 'decentering' Of The Poems Of Ovid -- Rembrandt's Use Of Classical Motifs -- The Greek Medical Texts And The Sexual Ethos Of Ancient Athens -- Scenes From Attic Tragedy On Vases Found In Sicily And Lipari. Eva C. Keuls. Includes Bibliographical References. One Article In French.

The volumes published in the series "Beiträge zur Altertumskunde" comprise monographs, collective volumes, editions, translations and commentaries on various topics from the fields of Greek and Latin Philology, Ancient History, Archeology, Ancient Philosophy as well as Classical Reception Studies. The series thus offers indispensable research tools for a wide range of disciplines related to Ancient Studies.