Oxford Street, Accra : City Life and the Itineraries of Transnationalism

In Oxford Street, Accra, Ato Quayson Analyzes The Dynamics Of Ghana's Capital City Through A Focus On Oxford Street, Part Of Accra's Most Vibrant And Globalized Commercial District. He Traces The City's Evolution From Its Settlement In The Mid-seventeenth Century To The Present Day. He Combines His Impressions Of The Sights, Sounds, Interactions, And Distribution Of Space With Broader Dynamics, Including The Histories Of Colonial And Postcolonial Town Planning And The Marks Of Transnationalism Evident In Accra's Salsa Scene, Gym Culture, And Commercial Billboards. Quayson Finds That The Various Planning Systems That Have Shaped The City--and Had Their Stratifying Effects Intensified By The Imf-mandated Structural Adjustment Programs Of The Late 1980s--prepared The Way For The Early-1990s Transformation Of A Largely Residential Neighborhood Into A Kinetic Shopping District. With An Intense Commercialism Overlying, Or Coexisting With, Stark Economic Inequalities, Oxford Street Is A Microcosm Of Historical And Urban Processes That Have Made Accra The Variegated And Contradictory Metropolis That It Is Today. Introduction: Urban Theory And Performative Streetscapes -- Ga Akutso Formation And The Question Of Hybridity : The Afro-brazilians (tabon) Of Accra -- The Spatial Fix : Colonial Administration, Disaster Management, And Land-use Distribution In Early Twentieth-century Accra -- Osu Borla No, Sardine Chensii Soo: Danes, Euro-africans, And The Transculturation Of Os -- The Beautyful Ones: Tro-tro Slogans, Cell Phone Advertising, And The Hallelujah Chorus -- Este Loco, Loco : Transnationalism And The Shaping Of Accra's Salsa Scene -- Pumping Irony : Gymming, The Kóbóló, And The Cultural Economy Of Free Time -- The Lettered City : Literary Representations Of Accra -- Conclusion: On Urban Free Time: Vladimir, Estragon, And Rem Koolhaas. Ato Quayson. Includes Bibliographical References (pages 279-292) And Index. Text In English. In Oxford Street, Accra, Ato Quayson Analyzes the dynamics of Ghana's capital city through a focus on Oxford Street, part of Accra's most vibrant and globalized commercial district. He traces the city's evolution from its settlement in the mid-seventeenth century to the present day. He combines his impressions of the sights, sounds, interactions and distribution of space with broader dynamics, including the histories of colonial and postcolonial town planning and the marks of transationalism evident in Accra's salsa scene, gym culture, and commercial billboards. Quayson finds that the various planning systems that have shaped the - had their stratifying effects intensified by the IMF-mandated structural adjustment programs of the late 1980s-prepared the way for the early 1990s transformation of a largely residential neighborhood into a kinetic shopping district. With an intense commercialism overlying or coexisting with stark economic inequalities, Oxford Street is a microcosm of historical an urban processes that have made Accra the variegated and contradictory metropolis that it is today. Book jacket Contents ......Page 8 Preface......Page 10 Introduction. Urban Theory and Performative Streetscapes......Page 14 Part I. Horizontal Archaeologies......Page 48 1. Ga Akutso Formation and the Question of Hybridity: The Afro-Brazilians (Tabon) of Accra......Page 50 2. The Spatial Fix: Colonial Administration, Disaster Management, and Land-Use Distribution in Early Twentieth-Century Accra......Page 77 3. Osu borla no, sardine chensii soo: Danes, Euro-Africans, and the Transculturation of Osu......Page 111 Part II. Morphologies of Everyday Life......Page 140 4. “The Beautyful Ones”: Tro- tro Slogans, Cell Phone Advertising, and the Hallelujah Chorus......Page 142 5. “Este loco, loco”: Transnationalism and the Shaping of Accra’s Salsa Scene......Page 172 6. Pumping Irony: Gymming, the Kòbòlò, and the Cultural Economy of Free Time......Page 196 7. The Lettered City: Literary Representations of Accra......Page 226 Conclusion On Urban Free Time: Vladimir, Estragon, and Rem Koolhaas......Page 252 Appendix: Tro-tro Inscription......Page 264 Notes......Page 268 References......Page 292 Index......Page 306