Overwhelmed : Literature, Aesthetics, and the Nineteenth-Century Information Revolution

This book argues that debates over the fate of literature in the present digital age are powerfully conditioned by the information revolution of the nineteenth century. An engaging look at how debates over the fate of literature in our digital age are powerfully conditioned by the nineteenth century's information revolution What happens to literature during an information revolution? How do readers and writers adapt to proliferating data and texts? These questions appear uniquely urgent today in a world of information overload, big data, and the digital humanities. But as Maurice Lee shows in Overwhelmed , these concerns are not new—they also mattered in the nineteenth century, as the rapid expansion of print created new relationships between literature and information. Exploring four key areas—reading, searching, counting, and testing—in which nineteenth-century British and American literary practices engaged developing information technologies, Overwhelmed delves into a diverse range of writings, from canonical works by Coleridge, Emerson, Charlotte Brontë, Hawthorne, and Dickens to lesser-known texts such as popular adventure novels, standardized literature tests, antiquarian journals, and early statistical literary criticism. In doing so, Lee presents a new argument: rather than being at odds, as generations of critics have viewed them, literature and information in the nineteenth century were entangled in surprisingly collaborative ways. An unexpected, historically grounded look at how a previous information age offers new ways to think about the anxieties and opportunities of our own, Overwhelmed illuminates today’s debates about the digital humanities, the crisis in the humanities, and the future of literature. What happens to literature during an information revolution? How do readers and writers adapt to proliferating data and texts? These questions appear uniquely urgent today in a world of information overload, big data, and the digital humanities. But as this book shows, these concerns are not new—they also mattered in the nineteenth century, as the rapid expansion of print created new relationships between literature and information. Exploring four key areas—reading, searching, counting, and testing—in which nineteenth-century British and American literary practices engaged developing information technologies, the book delves into a diverse range of writings, from canonical works by Samuel Taylor Coleridge, Ralph Waldo Emerson, Charlotte Brontë, Nathaniel Hawthorne, and Charles Dickens to lesser-known texts such as popular adventure novels, standardized literature tests, antiquarian journals, and early statistical literary criticism. In doing so, it presents a new argument: rather than being at odds, as generations of critics have viewed them, literature and information in the nineteenth century were entangled in surprisingly collaborative ways. The book illuminates today's debates about the digital humanities, the crisis in the humanities, and the future of literature. This book looks at how debates over the fate of literature in our digital age are powerfully conditioned by the nineteenth century's information revolution. It explains what happens to literature during an information revolution, and how readers and writers adapt to proliferating data and texts, both today and in the nineteenth century. Explores four key areas-reading, searching, counting, and testing-and analyzes diverse writings, from canonical works to lesser-known texts What happens to literature during an information revolution? How do readers and writers adapt to proliferating data and texts? These questions appear uniquely urgent today in a world of information overload, big data, and the digital humanities. But as Maurice Lee shows in Overwhelmed, these concerns are not new - they also mattered in the nineteenth century, as the rapid expansion of print created new relationships between literature and information As Lee shows in Overwhelmed, the rapid expansion of print created new relationships between literature and information. He presents a new argument: rather than being at odds, as generations of critics have viewed them, literature and information in the 19th century were entangled in surprisingly collaborative ways.