Our Scene Is London : Ben Jonson's City and the Space of the Author

Space as authorial strategy -- Londinium: the 1604 royal entry of James I -- London on stage, London as stage -- Jonson's plague year plays -- Practicers of their madness : Bartholomew Fair and the space of the author -- Epilogue: beyond the 1616 folio.

In this thought-provoking study Mardock looks at Ben Jonson's epigrams, prose, and verse satire in order to focus on Jonson's theatrical appropriations of London space both in and out of the playhouse. Through this critical analysis, the author argues that the strategies of authorial definition that Jonson pursued throughout his career as a poet and playwright were in large part determined by two intersecting factors: first, his complicated relationship with London's physical places and its institutional topography, and secondly—challenging commonplace assumptions about Jonson's anti-theatricality—the distinctly theatrical model of spatial practice that he brought to bear on his representation of the urban experience. Although much criticism has focused on Jonson's role in the emergence of modern definitions of authorship, most has focused on the material contexts of the book trade, on the politics of Jonson's patronage, or on Jonson's self-construction as a neoclassical and primarily textual poet. Mardock engages with all these considerations, but with a focus on the dramatic practices of urban space—a growing concern among scholars of early-modern drama—as a consistent factor in Jonson's authorial claims.

SCLA0000 Book Cover 1 Title 4 Copyright 5 Dedication 6 Contents 8 Acknowledgments 10 Introduction 12 Chapter One Space as Authorial Strategy 17 Chapter Two Londinium: The 1604 Royal Entry of James I 34 Chapter Three London on Stage, London as Stage 56 Chapter Four Jonson’s Plague Year Plays 78 Chapter Five “Practisers of their madnesse”: Bartholomew Fair and the Space of the Author 106 Epilogue: Beyond the 1616 Folio 121 Notes 128 Bibliography 158 Index 168 With its three-part rubric of London, drama, and space, this study brings to the currently vigorous critical discussion of Jonsonian authorship the sense of how another sort of dramatic textthat of Londons spaces as interpreted through dramatic practice both in the streets of the city and on its stagesis also an integral factor in the emergence of the early modern author