Our Savage Art : Poetry and the Civil Tongue

William Logan is the author of eight volumes of poetry and five books of criticism, including The Undiscovered Country. He has received the inaugural Randall Jarrell Award in Poetry Criticism from the Poetry Foundation, as well as a Citation for Excellence in Reviewing from the National Book Critics Circle, the Corrington Medal for Literary Excellence, and numerous awards for his poetry. He teaches at the University of Florida. LIT004020,Literary Criticism/American/General,POE000000,Poetry/General The most notorious poet-critic of his generation, William Logan has defined our view of poets good and bad, interesting and banal, for more than three decades. Featured in the New York Times Book Review , the Times Literary Supplement , and the New Criterion , among other journals, Logan's eloquent, passionate prose never fails to provoke readers and poets, reminding us of the value and vitality of the critic's savage art. Like The Undiscovered Country: Poetry in the Age of Tin , which won the National Book Critics Circle Award in Criticism, Our Savage Art features the corrosive wit and darkly discriminating critiques that have become the trademarks of Logan's style. Opening with a defense of the critical eye, this collection features essays on Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, the inflated reputation of Hart Crane, the loss of the New Critics, and a damning-and already highly controversial-indictment of an edition of Robert Frost's notebooks. Logan also includes essays on Derek Walcott and Geoffrey Hill, two crucial figures in the divided world of contemporary poetry, and an attempt to rescue the reputation of the nineteenth-century poet John Townsend Trowbridge. Short reviews consider John Ashbery, Anne Carson, Billy Collins, Rita Dove, Louise Glück, Jorie Graham, Robert Hass, Seamus Heaney, and dozens of others. Though he might be called a cobra with manners, Logan is a fervent advocate for poetry, and Our Savage Art continues to raise the standard of what the critic can do. The Bowl Of Diogenes; Or, The End Of Criticism -- Verse Chronicle : Out On The Lawn -- Verse Chronicle : Stouthearted Men -- The Most Contemptible Moth : Lowell In Letters -- Forward Into The Past : Reading The New Critics -- Verse Chronicle : One If By Land -- Verse Chronicle : The Great American Desert -- The State With The Prettiest Name -- Elizabeth Bishop Unfinished -- Elizabeth Bishop's Sullen Art -- Verse Chronicle : Jumping The Shark -- Verse Chronicle : Victoria's Secret -- Attack Of The Anthologists -- The Lost World Of Lawrence Durrell -- Hart Crane Overboard -- On Reviewing Hart Crane -- The Endless Ocean Of Derek Walcott -- The Civil Power Of Geoffrey Hill -- Verse Chronicle : God's Chatter -- Verse Chronicle : Let's Do It, Let's Fall In Luff -- Pynchon In The Poetic -- Back To The Future (thomas Pynchon) -- Verse Chronicle : The World Is Too Much With Us -- Verse Chronicle : Valentine's Day Massacre -- The Forgotten Masterpiece Of John Townsend Trowbridge -- Frost At Midnight. William Logan. Includes Bibliographical References And Index. This collection of essays critically evaluates Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, the inflated reputation of Hart Crane, the loss of the New Critics, and a damning-and already highly controversial-indictment of an edition of Robert Frost's notebooks. The book also includes essays on Derek Walcott and Geoffrey Hill, two crucial figures in the divided world of contemporary poetry, and an attempt to rescue the reputation of the nineteenth-century poet John Townsend Trowbridge. Short reviews consider John Ashbery, Anne Carson, Billy Collins, Rita Dove, Louise Glück, Jorie Graham, Robert Hass, Seamus Heaney, and more 'Our Savage Art' features the corrosive wit and substantial critiques that are the trademarks of William Logan's style. Opening with a defence of the critical eye, this collection features essays on Robert Lowell's correspondence, Elizabeth Bishop's unfinished poems, and the inflated reputation of Hart Crane