آخرین ایستادگی اسکار وایلد: افول، توطئه و جنجالی‌ترین محاکمه قرن

A New York Times Notable Book of the Year that Sir Ian McKellen called “a shocking tale of heroes and villains—illuminating and upsetting in equal measure." The first production of Oscar Wilde's Salomé in 1918, with American exotic dancer Maud Allan dancing lead, ignited a firestorm in London spearheaded by Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values. Billing attacked Allan in the right-wing newspaper Vigilante as a member of the “Cult of the Clitoris," a feminine version of the “Cult of the Wilde," a catchall for the degeneracy and perversion he was convinced had infected the land. He claimed that a black book was in the hands of their enemies the Germans, a book that contained the names of thousands of the British establishment who without doubt were members of the cult. Threat of exposure was costing England the war. Allan sued Billing for libel, and the ensuing trial, brought to life in this authoritative, spellbinding book, held the world in thrall. Was there or was there not a black book? What names did it contain? The trial was both hugely entertaining and deadly serious and raised specters of hysteria, homophobia, and paranoia that, like Oscar Wilde himself, continue to haunt us. As in Wilde's own trial in 1895, libel was hardly the issue; the fight was for control over the country's moral compass. In Oscar Wilde's Last Stand , biographer and historian Philip Hoare gives us the full drama of the Billing trial, gavel to gavel, and brings to life this unique, bizarre, and fascinating event. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history—books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home. "A New York Times Notable Book of the Year that Sir Ian McKellen called "a shocking tale of heroes and villains-illuminating and upsetting in equal measure." The first production of Oscar Wilde's Salome in 1918, with American exotic dancer Maud Allan dancing lead, ignited a firestorm in London spearheaded by Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values. Billing attacked Allan in the right-wing newspaper Vigilante as a member of the "Cult of the Clitoris," a feminine version of the "Cult of the Wilde," a catchall for the degeneracy and perversion he was convinced had infected the land. He claimed that a black book was in the hands of their enemies the Germans, a book that contained the names of thousands of the British establishment who without doubt were members of the cult. Threat of exposure was costing England the war. Allan sued Billing for libel, and the ensuing trial, brought to life in this authoritative, spellbinding book, held the world in thrall. Was there or was there not a black book? What names did it contain? The trial was both hugely entertaining and deadly serious and raised specters of hysteria, homophobia, and paranoia that, like Oscar Wilde himself, continue to haunt us. As in Wilde's own trial in 1895, libel was hardly the issue; the fight was for control over the country's moral compass. In Oscar Wilde's Last Stand, biographer and historian Philip Hoare gives us the full drama of the Billing trial, gavel to gavel, and brings to life this unique, bizarre, and fascinating event. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history--books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home"-- Provided by publisher A New York Times Notable Book of the Year that Sir Ian McKellen called a shocking tale of heroes and villains-illuminating and upsetting in equal measure. The first production of Oscar Wilde's Salom in 1918, with American exotic dancer Maud Allan dancing lead, ignited a firestorm in London spearheaded by Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values. Billing attacked Allan in the right-wing newspaper Vigilante as a member of the Cult of the Clitoris, a feminine version of the Cult of the Wilde, a catchall for the degeneracy and perversion he was convinced had infected the land. He claimed that a black book was in the hands of their enemies the Germans, a book that contained the names of thousands of the British establishment who without doubt were members of the cult. Threat of exposure was costing England the war. Allan sued Billing for libel, and the ensuing trial, brought to life in this authoritative, spellbinding book, held the world in thrall. Was there or was there not a black book? What names did it contain? The trial was both hugely entertaining and deadly serious and raised specters of hysteria, homophobia, and paranoia that, like Oscar Wilde himself, continue to haunt us. As in Wildes own trial in 1895, libel was hardly the issue; the fight was for control over the country's moral compass. In Oscar Wildes Last Stand, biographer and historian Philip Hoare gives us the full drama of the Billing trial, gavel to gavel, and brings to life this unique, bizarre, and fascinating event. Skyhorse Publishing, as well as our Arcade imprint, are proud to publish a broad range of books for readers interested in history -- books about World War II, the Third Reich, Hitler and his henchmen, the JFK assassination, conspiracies, the American Civil War, the American Revolution, gladiators, Vikings, ancient Rome, medieval times, the old West, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home The Billing trial's beginnings can be traced to the moment British authorities finally permitted a staging of Wilde's play Salome. American beauty Maud Allan was to dance the lead. So outraged was Noel Pemberton Billing, a member of Parliament and self-appointed guardian of family values, that he denounced Allan in the right-wing newspaper Vigilante as a member of the "Cult of the Clitoris." Billing was convinced that the "Cult of Wilde" - a catchall for anyone guilty of degeneracy and perversion, in his eyes - had infected the land. Of that, Billing maintained, he had proof: a black book containing the names of 47,000 members of the British establishment who without doubt were members of the Cult of Wilde was in the hands of the Germans. Threat of exposure was costing England the war. Maud Allan sued Billing for libel, and the trial that followed held the world in thrall. Was there or was there not a black book? What names did it contain? The Billing trial was both hugely entertaining - never had scandal and social prominence been so deliciously juxtaposed - and deadly serious. As in Oscar Wilde's own trial in 1895 (which also took place at the Old Bailey), libel was hardly the issue; the fight was for control over the country's moral compass. In Oscar Wilde's Last Stand, biographer and historian Philip Hoare gives us the full drama of the Billing trial, gavel to gavel, and brings to life this unique, bizarre, and spell-binding event. "Biographer and historian Philip Hoare describes the full drama of the Billing trial of 1918 after the first production of Oscar Wilde's Salome"-- Provided by publisher