Ornamental Wall Painting In The Art Of The Assyrian Empire (CUNEIFORM MONOGRAPHS, 28)

Annotation This study brings together the archaeological record and the pictorial documentation of ornamental wall painting produced in Assyria, from the thirteenth to the seventh centuries B.C. Nimrud, Khorsabad, Til Barsip, and Tell Sheikh Hamad, are among the ancient sites where impressive wall paintings were discovered; unfortunately most of these discoveries now exist in drawings and photographs only. Ornamental wall painting created a colorful and meaningful visual impact to the rooms of residences belonging to the Assyrian kings. The assembled material demonstrates that the polychrome and black-and-white decorated bands of geometric, floral, figural, and animal motifs were arranged into a variety of formulaic designs. Particular attention is given to the changing trends in the selection and combination of motifs, some of which had symbolic meaning. The chronology of the wall paintings at Til Barsip and the accompanying discussion of textile patterns are of special interest to the art historian. This book illustrates the ornamental wall paintings as recorded in the excavation reports In this short text, Albenda (no affiliation is noted) surveys the ornamental wall painting of various Assyrian buildings, describing the use of color, placement, and decorative motifs. The paintings discussed are known from drawings of them made by early excavators, whose research is described briefly. In addition to painstaking descriptions of the decorative motifs found in the paintings, Albenda provides a summarizing analysis of decorative traditions in these courtly and occasionally, religious buildings. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com) By Pauline Albenda. Includes Bibliographical References (p. 137-144) And Indexes.