Oral Performance, Popular Tradition, and Hidden Transcript in Q (Society of Biblical Literature Semeia Studies)

Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org). Contents ......Page 6 Abbreviations......Page 8 Introduction Richard A. Horsley......Page 10 ESSAYS......Page 32 The Verbal Art in Q and Thomas: A Question of Epistemology Werner H. Kelber......Page 34 Performance and Tradition: The Covenant Speech in Q Richard A. Horsley......Page 52 Jesus' "Covenantal Discourse" on the Plain (Luke 6:12–7:17) as Oral Performance: Pointers to "Q" as Multiple Oral Performance Jonathan A. Draper......Page 80 RESPONSES......Page 108 Response to Kelber, Horsley, and Draper Joanna Dewey......Page 110 Oral Performance in Q: Epistemology, Political Confl ict, and Contextual Register Vernon K. Robbins......Page 118 The Riddle of Q: Oral Ancestor, Textual Precedent, or Ideological Creation? John Miles Foley......Page 132 ESSAYS......Page 150 Moral Economy and Renewal Movement in Q Richard A. Horsley......Page 152 The Jesus Movement in the Villages of Roman Galilee: Archaeology, Q, and Modern Anthropological Theory Milton Moreland......Page 168 Going Public with the Hidden Transcript in Q 11: Beelzebul Accusation and the Woes Alan Kirk......Page 190 Communities Resisting Fragmentation: Q and the Work of James C. Scott Melanie Johnson-DeBaufre......Page 202 RESPONSE......Page 218 The Work of James C. Scott and Q: A Response William R. Herzog II......Page 220 Bibliography......Page 226