Opening Kailasanatha : The Temple in Kanchipuram Revealed in Time and Space

Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. In Opening Kailasanatha, Padma Kaimal deciphers the intentions of the monument's makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex--the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps--Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.ISBN : 9780295747774 The footsteps and sensory experience of devotees linger in an Indian templeStone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. In Opening Kailasanatha, Padma Kaimal deciphers the intentions of the monument's makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.

Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being.

In Opening Kailasanatha, Padma Kaimal deciphers the intentions of the monument’s makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex—the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps—Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past.

Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. In 'Opening Kailasanatha', Padma Kaimal deciphers the intentions of the monument's makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement ; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex - the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps - Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past Stone figures hardened by ascetic discipline and heroic effort face north in deep shadow. There they meet the gazes of the same gods and goddesses but with gentler bodies enacting grace, warmth, seduction, and marriage, drenched in sunlight, facing south. These figures adorn the eighth-century Kailasanatha temple complex in southeastern India, built by rulers who were both warriors and ascetics, engaged in the work of this world and in spiritual quests. They designed their temple as an exuberant visual feast to sustain both modes of being. 0In 'Opening Kailasanatha', Padma Kaimal deciphers the intentions of the monument's makers, reaching back across centuries to illuminate worldviews of the ancient Indic south. She reveals how circling the complex in a clockwise direction focuses the mind and spirit on worldly engagement; in a counterclockwise direction, on renunciation and ascetic practice. This pairing of highly charged, complementary pathways enabled devotees to grasp these counterpoised opportunities in their own listening, gazing, moving bodies. By focusing on the material form of the complex-the architecture, inscriptions, and sculptures, along with the spaces they carve out that guide light, shadow, sound, and footsteps-Kaimal offers insights that complement what surviving texts tell us about Shaiva Siddhanta ideas and practices, providing a rare opportunity to walk in the distant past

Stone figures hardened by ascetic discipline and heroic effortface north in deep shadow. There they meet the gazes of the samegods and goddesses but with gentler bodies enacting grace, warmth,seduction, and marriage, drenched in sunlight, facing south. Thesefigures adorn the eighth-century Kailasanatha temple complex insoutheastern India, built by rulers who were both warriors andascetics, engaged in the work of this world and in spiritualquests. They designed their temple as an exuberant visual feast tosustain both modes of being.

In Opening Kailasanatha, Padma Kaimal deciphers theintentions of the monument's makers, reaching back across centuriesto illuminate worldviews of the ancient Indic south. She revealshow circling the complex in a clockwise direction focuses the mindand spirit on worldly engagement; in a counterclockwise direction,on renunciation and ascetic practice. This pairing of highlycharged, complementary pathways enabled devotees to grasp thesecounterpoised opportunities in their own listening, gazing, movingbodies. By focusing on the material form of the complex-thearchitecture, inscriptions, and sculptures, along with the spacesthey carve out that guide light, shadow, sound, andfootsteps-Kaimal offers insights that complement what survivingtexts tell us about Shaiva Siddhanta ideas and practices, providinga rare opportunity to walk in the distant past.

Cover Title Copyright Contents Preface & Acknowledgments Introduction 1 Order and Improvisation: The Elements of the Pallavas’ Kailasanatha Temple Complex 2 Looking North and South: Celibacy and Intimacy, Struggle and Grace 3 Looking East and West, With and Without SONS: Deities, Royalty, Family, and Lineage 4 Circumambulating This Way and That: Complementarity Set in Motion 5 Word-Image Tango: Telling Stories with Words and Sculptures Conclusion Appendix 1: Inscriptions on Rajasimha’s Prakara Appendix 2: The Foundation Inscription of the Rajasimheshvara, Rajasimha’s Vimana Appendix 3: The Foundation Inscription of the Mahendravarmeshvara, Mahendravarman III’s Vimana Appendix 4: The Foundation Inscriptions around Vimanas C, E, and G, Marking Donations by Pallava Queens Glossary of Sanskrit Terms Notes Bibliography Index