On the Edge: Writing the Border between Haiti and the Dominican Republic (American Tropics Towards a Literary Geography LUP)

__On the Edge: Writing the Border between Haiti and the Dominican Republic__ is a literary and cultural history which brings to the fore a compelling but, so far, largely neglected body of work which has the politics of borderline-crossing as well as the poetics of borderland-dwelling on Hispaniola at its core. Over thirty fictional and non-fictional literary texts (novels, biographical narratives, memoirs, plays, poems, and travel writing), are given detailed attention alongside journalism, geo-political-historical accounts of the status quo on the island, and striking visual interventions (films, sculptures, paintings, photographs, videos and artistic performances), many of which are sustained and complemented by different forms of writing (newspaper cuttings, graffiti, captions, song lyrics, screenplay, tattoos). Dominican, Dominican-American, Haitian and Haitian-American writers and artists are put in dialogue with authors who were born in Europe, the rest of the Americas, Algeria, New Zealand, and Japan in order to illuminate some of the processes and histories that have woven and continue to weave the texture of the borderland and the complex web of border relations on the island. Particular attention is paid to the causes, unfolding, and immediate aftermath of the 1791 slave revolt, the 1937 massacre of Haitians and Haitian-Dominicans in the Dominican Northern borderland as well as to recent events and topical issues such as the 2010 earthquake, migration, and environmental degradation. __On the Edge__ is an invaluable multicultural archive for those who want to engage fully with the past and present of Hispaniola and refuse to comply with the idea that an acceptable future is unattainable. On The Edge: Writing The Border Between Haiti And The Dominican Republic Is A Literary And Cultural History Which Brings To The Fore A Compelling But, So Far, Largely Neglected Body Of Work Which Has The Politics Of Borderline-crossing As Well As The Poetics Of Borderland-dwelling On Hispaniola At Its Core. Over Thirty Fictional And Non-fictional Literary Texts (novels, Biographical Narratives, Memoirs, Plays, Poems, And Travel Writing), Are Given Detailed Attention Alongside Journalism, Geo-political-historical Accounts Of The Status Quo On The Island, And Striking Visual Interventions (films, Sculptures, Paintings, Photographs, Videos And Artistic Performances), Many Of Which Are Sustained And Complemented By Different Forms Of Writing (newspaper Cuttings, Graffiti, Captions, Song Lyrics, Screenplay, Tattoos). Dominican, Dominican-american, Haitian And Haitian-american Writers And Artists Are Put In Dialogue With Authors Who Were Born In Europe, The Rest Of The Americas, Algeria, New Zealand, And Japan In Order To Illuminate Some Of The Processes And Histories That Have Woven And Continue To Weave The Texture Of The Borderland And The Complex Web Of Border Relations On The Island. Particular Attention Is Paid To The Causes, Unfolding, And Immediate Aftermath Of The 1791 Slave Revolt, The 1937 Massacre Of Haitians And Haitian-dominicans In The Dominican Northern Borderland As Well As To Recent Events And Topical Issues Such As The 2010 Earthquake, Migration, And Environmental Degradation. On The Edge Is An Invaluable Multicultural Archive For Those Who Want To Engage Fully With The Past And Present Of Hispaniola And Refuse To Comply With The Idea That An Acceptable Future Is Unattainable.--provided By Publisher Introduction: On The Edge: Border-crossing, Borderland-dwelling, And The Music Of What Happens -- Landscaping Hispaniola: Médéric Louis Élie Moreau De Saint-méry And Border Politics -- The 1791 Revolt And The Borderland From Below -- This Place Was Here Before Our Nations: Anacaona's Jaragua -- Servants Turned Masters: Santo Domingo And The Black Revolt -- A Fragile And Beautiful World: The Northern Borderland And The 1937 Massacre -- The Dream Of Creating One People From Two Lands Mixed Together: 1937 And Borderland Utopia -- A Geography Of Living Flesh: Bearing The Unbearable -- The Forgotten Heart-breaking Epic Of Border Struggle -- Some Ae Born To Endless Night: Structural Violence Across-the-border -- Borderlands Of The Mind: Present, Past, And Future -- The Writing Is On The Wall: Towards An Open Island And A Complete Structue -- Conclusion: The Rejection Of Futures Past: On The Edge Of And Attainable Accepatable Future? Maria Cristina Fumagalli. Includes Bibliographical References (pages 392-415) And Index. Cover Contents Figures Acknowledgements A note on translations Introduction: On the edge: border-crossing, borderland-dwelling, and the music of what happens Landscaping Hispaniola: Médéric Louis Élie Moreau de Saint-Méry and border politics The 1791 revolt and the borderland from below This place was here before our nations: Anacaona’s Jaragua Servants turned masters: Santo Domingo and the black revolt A fragile and beautiful world: the northern borderland and the 1937 massacre The dream of creating one people from two lands mixed together: 1937 and borderland Utopia A geography of living flesh: bearing the unbearable The forgotten heart-breaking epic of border struggle Some are born to endless night: structural violence across-the-border Borderlands of the mind: present, past, and future The writing is on the wall: towards an open island and a complete structure Conclusion Bibliography Index