Notes of a Native Son

In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today, as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction."A straight-from-the-shoulder writer, writing about the troubled problems of this troubled earth with an illuminating intensity." - Langston Hughes, The New York Times Book ReviewWritten during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in The Harlem Ghetto to a sobering Journey to Atlanta. Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American. In an age of Black Lives Matter, James Baldwin's essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to Baldwin's life and work, Notes of a Native Son serves as a valuable introduction. Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in “The Harlem Ghetto” to a sobering “Journey to Atlanta.” Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright’s work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin’s voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin’s own search for identity as an artist, as a black man, and as an American. In an age of Black Lives Matter, essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. With documentaries like I Am Not Your Negro bringing renewed interest to his writing, Notes of a Native Son serves as a valuable introduction to his life and work. Written during the 1940s and early 1950s, when Baldwin was only in his twenties, the essays collected in Notes of a Native Son capture a view of black life and black thought at the dawn of the civil rights movement and as the movement slowly gained strength through the words of one of the most captivating essayists and foremost intellectuals of that era. Writing as an artist, activist, and social critic, Baldwin probes the complex condition of being black in America. With a keen eye, he examines everything from the significance of the protest novel to the motives and circumstances of the many black expatriates of the time, from his home in "The Harlem Ghetto" to a sobering "Journey to Atlanta." Notes of a Native Son inaugurated Baldwin as one of the leading interpreters of the dramatic social changes erupting in the United States in the twentieth century, and many of his observations have proven almost prophetic. His criticism on topics such as the paternalism of white progressives or on his own friend Richard Wright's work is pointed and unabashed. He was also one of the few writing on race at the time who addressed the issue with a powerful mixture of outrage at the gross physical and political violence against black citizens and measured understanding of their oppressors, which helped awaken a white audience to the injustices under their noses. Naturally, this combination of brazen criticism and unconventional empathy for white readers won Baldwin as much condemnation as praise. Notes is the book that established Baldwin's voice as a social critic, and it remains one of his most admired works. The essays collected here create a cohesive sketch of black America and reveal an intimate portrait of Baldwin's own search for identity as an artist, as a black man, and as an American A new edition published on the twenty-fifth anniversary of Baldwin's death, including a new introduction by an important contemporary writer Since its original publication in 1955, this first nonfiction collection of essays by James Baldwin remains an American classic. His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written. "A straight-from-the-shoulder writer, writing about the troubled problems of this troubled earth with an illuminating intensity." --Langston Hughes, The New York Times Book Review "Written with bitter clarity and uncommon grace." -- Time From the Trade Paperback edition. La 4e de couv. indique : "Since its original publication in 1955, this first nonfiction collection of essays by James Baldwin remains an American classic. His impassioned essays on life in Harlem, the protest novel, movies, and African Americans abroad are as powerful today as when they were first written." The Author Shares His Views Of Black Thought And The Conditions Of Black Life In America During The 1940's And Early 1950's. James Baldwin ; With A New Introduction By Edward P. Jones. Includes Bibliographical References.