Not the triumph but the struggle : the 1968 Olympics and the making of the Black athlete

Jesse Owens. Muhammad Ali. Michael Jordan. Tiger Woods. All are iconic black athletes, as are Tommie Smith and John Carlos, the two African American track and field medalists who raised black-gloved fists on the victory dais at the Mexico City Olympics and brought all of the roiling American racial politics of the late 1960s to a worldwide television audience. But few of those viewers fully realized what had led to this demonstration-events that included the assassination of Dr. Martin Luther King Jr., uprisings in American cities, student protests around the world, the rise of the Black Power movement, and decolonization and apartheid in Africa. In this far-reaching account, Amy Bass offers nothing less than a history of the black athlete. Beginning with the racial eugenics discussions of the early twentieth century and their continuing reverberations in popular perceptions of black physical abilities, Bass explores ongoing African American attempts to challenge these stereotypes. In particular, she examines the Olympic Project for Human Rights, an organization that worked to mobilize black athletes in the 1960s and whose work culminated with the Mexico City protest. Although Tommie Smith and John Carlos were reviled by Olympic officials for their demonstration, Bass traces how their protest has come to be the defining image of the 1968 Games, with lingering effects in the sports world and on American popular culture generally. She then focuses on images of black athletes in the post-civil rights era, a period characterized by a shift from the social commentary of Muhammad Ali to the entrepreneurial approach of Michael Jordan. Ultimately Bass not only excavates the fraught history of black athleticism but also offers an incisive look at media coverage of athletic events-and the way sport is intimately bound up in popular constructions of the nation. Amy Bass is assistant professor of history at Plattsburgh State University and worked as a member of the NBC research team for the Atlanta Olympics in 1996, the Sydney Olympics in 2000, and the Salt Lake Olympic Winter Games in 2002. "Jesse Owens. Muhammad Ali. Michael Jordan. Tiger Woods. All are iconic black athletes, as are Tommie Smith and John Carlos, the African American track and field medalists who raised black-gloved fists on the victory dais at the Mexico City Olympics and brought the roiling American racial politics of the late 1960s to a worldwide television audience. But few of those viewers fully realized what had led to this demonstration - events that included the assassination of Dr. Martin Luther King Jr., uprisings in American cities, student protests around the world, the rise of the Black Power movement, and decolonization and apartheid in Africa.". "In this far-reaching account, Amy Bass offers nothing less than a history of the black athlete. Beginning with the racial eugenics discussions of the early twentieth century and their continuing reverberations in popular perceptions of black physical abilities, Bass explores ongoing African American attempts to challenge these stereotypes. Although Tommie Smith and John Carlos were reviled by Olympic officials for their demonstration, Bass traces how their protest has come to be the defining image of the 1968 Games, with lingering effects in the sports world and on American popular culture generally."--BOOK JACKET. Introduction: A Tiger in the Woods -- 1. The Race between Politics and Sport -- 2. What Is This "Black" in Black Athlete? -- 3. An Olympic Challenge: Preparing for the "Problem Games" -- 4. The Power of Protest and Boycott: The New York Athletic Club and the Question of the South African Springboks -- 5. Tribulations and the Trials: Black Consciousness and the Collective Body -- 6. "That's My Flag" -- 7. Whose Broad Stripes and Bright Stars? "In her excellent new book, Amy Bass uses the famous 'black power' podium salute by sprinters John Carlos and Tommie Smith as the centerpiece of her expansive examination of the black athlete in America." -Boston Globe A sweeping examination of the role of "Black Power" in the 1968 Olympic games in Mexico City reveals the emergence of militancy and political consciousness in American sports.