Northern Arcadia: Foreign Travelers in Scandinavia, 1765 - 1815

Northern Arcadia is a comparative study of the accounts of foreign visitors to the Nordic lands during the late eighteenth and early nineteenth centuries.Before the late eighteenth century, few foreigners ventured as far as Scandinavia. The region seemed a cold hyperborean wilderness and a voyage there a daring adventure. From the mid-1760s on, however, foreigners arrived in the Nordic lands in increasing numbers, leaving numerous accounts that became increasingly popular, satisfying a growing curiosity about regions beyond the traditional grand tour.The pre-Romantic mood of the period—with its predilection for untamed nature and for peoples uncorrupted by overrefined civilization—further stimulated fascination with the North. European titerati discovered the Nordic sagas, finding them exhilarating, passionate, imaginative, and original. The French Revolution and the ensuing European wars effectively closed off much of the Continent to foreign travel, turning attention to the still neutral northern kingdoms.Travel literature about Scandinavia thus illuminates the shift in the European intellectual climate from the enlightened rationalism and utilitarianism of the earlier travelers in this period to the pre-Romantic sensibility of those who followed them. In a Europe torn by war and revolution, sensitive souls could find their new Arcadia in the North—at least until the Scandinavian kingdoms themselves became engulfed by the Napoleonic wars after 1805.The first scholar to examine as a whole the travel literature dealing with Denmark, Schleswig-Holstein, Norway, Sweden, Finland, Iceland, and the F?r? Islands, H. Arnold Barton discusses accounts left by both the celebrated and the obscure. Well-known travelers include Vittorio Alfieri, Francisco de Miranda, Mary Wollstonecraft, Thomas Malthus, and Aaron Burr. Literary travelers of the day included Nathanael Wraxall, William Coxe, Charles Gottlob K?ttner, Edward Daniel Clarke, and John Carr.Northern Arcadia brings out contrasts: among the various Nordic lands and regions; among the reactions of travelers of differing nationality; between the earlier as opposed to the later travelers of the time; between native Scandinavian and foreign perceptions of the North; between conditions in Scandinavia and those in other parts of the Western world; between then and now. It incorporates continuity and change, reality and mentality. Northern Arcadia is a comparative study of the accounts of foreign visitors to the Nordic lands during the late eighteenth and early nineteenth centuries. Before the late eighteenth century, few foreigners ventured as far as Scandinavia. The region seemed a cold hyperborean wilderness and a voyage there a daring adventure. From the mid-1760s on, however, foreigners arrived in the Nordic lands in increasing numbers, leaving numerous accounts that became increasingly popular, satisfying a growing curiosity about regions beyond the traditional grand tour. The pre-Romantic mood of the periodwith its predilection for untamed nature and for peoples uncorrupted by overrefined civilizationfurther stimulated fascination with the North. European titerati discovered the Nordic sagas, finding them exhilarating, passionate, imaginative, and original. The French Revolution and the ensuing European wars effectively closed off much of the Continent to foreign travel, turning attention to the still neutral northern kingdoms. Travel literature about Scandinavia thus illuminates the shift in the European intellectual climate from the enlightened rationalism and utilitarianism of the earlier travelers in this period to the pre-Romantic sensibility of those who followed them. In a Europe torn by war and revolution, sensitive souls could find their new Arcadia in the Northat least until the Scandinavian kingdoms themselves became engulfed by the Napoleonic wars after 1805. The first scholar to examine as a whole the travel literature dealing with Denmark, Schleswig-Holstein, Norway, Sweden, Finland, Iceland, and the Fr Islands, H. Arnold Barton discusses accounts left by both the celebrated and the obscure. Well-known travelers include Vittorio Alfieri, Francisco de Miranda, Mary Wollstonecraft, Thomas Malthus, and Aaron Burr. Literary travelers of the day included Nathanael Wraxall, William Coxe, Charles Gottlob Kttner, Edward Daniel Clarke, and John Carr. Northern Arcadia brings out among the various Nordic lands and regions; among the reactions of travelers of differing nationality; between the earlier as opposed to the later travelers of the time; between native Scandinavian and foreign perceptions of the North; between conditions in Scandinavia and those in other parts of the Western world; between then and now. It incorporates continuity and change, reality and mentality. Northern Arcadia Is A Comparative Study Of The Accounts Of Foreign Visitors To The Nordic Lands During The Late Eighteenth And Early Nineteenth Centuries. Travel Literature About Scandinavia Illuminates The Shift In The European Intellectual Climate From The Enlightened Rationalism And Utilitarianism Of The Earlier Travelers In This Period To The Pre-romantic Sensibility Of Those Who Followed Them. In A Europe Torn By War And Revolution, Sensitive Souls Could Find Their New Arcadia In The North - At Least Until The Scandinavian Kingdoms Themselves Became Engulfed By The Napoleonic Wars After 1805. The First Scholar To Examine As A Whole The Travel Literature Dealing With Denmark, Schleswig-holstein, Norway, Sweden, Finland, Iceland, And The Faero Islands, H. Arnold Barton Discusses Accounts Left By Both The Celebrated And The Obscure. Well-known Travelers Include Vittorio Alfieri, Francisco De Miranda, Mary Wollstonecraft, Thomas Malthus, And Aaron Burr. Literary Travelers Of The Day Included, Among Others, Nathanael Wraxall, William Coxe, Charles Gottlob Kuttner, Edward Daniel Clarke, And John Carr. Introduction: Travel And Travel Literature In The Eighteenth Century -- 1. Travelers And Travel In The North, 1765-1815 -- 2. The Public Visage: Culture, State, And Polite Society -- 3. Landscapes And The Material Base -- 4. The Inhabitants Of The North -- 5. Ultima Thule -- 6. The Rise And Fall Of A New Arcadia -- Conclusion: The Eye Of The Beholder. H. Arnold Barton. Includes Bibliographical References And Index. Northern Arcadia is a comparative study of the accounts of foreign visitors to the Nordic lands during the late eighteenth and early nineteenth centuries.Before the late eighteenth century, few foreigners ventured as far as Scandinavia. The region seemed a cold hyperborean wilderness and a voyage there a daring adventure. From the mid-1760s on, however, foreigners arrived in the Nordic lands in increasing numbers, leaving numerous accounts that became increasingly popular, satisfying a growing curiosity about regions beyond the traditional grand tour.The pre-Romantic mood of the period -- with its predilection for untamed nature and for peoples uncorrupted by overrefined civilization -- further stimulated fascination with the North. European literati discovered the Nordic sagas, finding them exhilarating, passionate, imaginative, and original. The French Revolution and the ensuing European wars effectively closed off much of the Continent to foreign travel, turning attention to the still neutral northern kingdoms.Travel literature about Scandinavia thus illuminates the shift in the European intellectual climate from the enlightened rationalism and utilitarianism of the earlier travelers in this period to the pre-Romantic sensibility of those who followed them. In a Europe torn by war and revolution, sensitive souls could find their new Arcadia in the North -- at least until the Scandinavian kingdoms themselves became engulfed by the Napoleonic wars after 1805.