Nightwalking : a nocturnal history of London : Chaucer to Dickens

“Cities, like cats, will reveal themselves at night,” wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today – home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun’s down. If nightwalking is a matter of “going astray” in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city. In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets. With a foreword and afterword by Will Self, Nightwalkin g is a captivating literary portrait of the writers who explore the city at night and the people they meet. A captivating literary portrait of London explored at night by some of the city’s most iconic writers throughout history “Cities, like cats, will reveal themselves at night,” wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today – home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun’s down. If nightwalking is a matter of “going astray” in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city. In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets. With a foreword and afterword by Will Self, Nightwalkin g is a fascinating literary exploration of the writers who traverse the city at night and the people they meet. “Cities, like cats, will reveal themselves at night,” wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today – home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun’s down. If nightwalking is a matter of “going astray” in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city.In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets.With a foreword and afterword by Will Self, __Nightwalkin__g is a captivating literary portrait of the writers who explore the city at night and the people they meet. "Cities, like cats, will reveal themselves at night," wrote the poet Rupert Brooke. Before the age of electricity, the nighttime city was a very different place to the one we know today? home to the lost, the vagrant and the noctambulant. Matthew Beaumont recounts an alternative history of London by focusing on those of its denizens who surface on the streets when the sun?s down. If nightwalking is a matter of "going astray" in the streets of the metropolis after dark, then nightwalkers represent some of the most suggestive and revealing guides to the neglected and forgotten aspects of the city. In this brilliant work of literary investigation, Beaumont shines a light on the shadowy perambulations of poets, novelists and thinkers: Chaucer and Shakespeare; William Blake and his ecstatic peregrinations and the feverish ramblings of opium addict Thomas De Quincey; and, among the lamp-lit literary throng, the supreme nightwalker Charles Dickens. We discover how the nocturnal city has inspired some and served as a balm or narcotic to others. In each case, the city is revealed as a place divided between work and pleasure, the affluent and the indigent, where the entitled and the desperate jostle in the streets. With a foreword and afterword by Will Self, Nightwalkin From the Hardcover edition Machine generated contents note: PART ONE 1.Crime and the Common Nightwalker: The Middle Ages and After 2.Idle Wandering Persons: Roisterers and Rogues in the Early Modern Period 3.Affairs that Walk at Midnight: Shakespeare, Dekker & Co. PART TWO 4.Darkness Visible: Night and the Enlightenment in the Eighteenth Century 5.The Nocturnal Picaresque: Dunton, Ward and their Descendants 6.Grub Street at Night: Churchill, Goldsmith and Pattison 7.Midnight Rambles: Savage and Johnson PART THREE 8.Night on the Lengthening Road: Wordsworth, Clare and Romantic Vagrancy 9.London's Darkness: William Blake 10.The Nocturnal Labyrinth: Thomas De Quincey PART FOUR 11.Crowded Streets, Empty Streets: The Early Nineteenth-Century City at Night 12.The Dead Night: Dickens's Night Walks 13.A Darkened Walk: The Old Curiosity Shop and Dickens's Fiction 14.Conclusion: The Man of the Crowd. ""Nightwalking is, in both the physical and the moral meanings of the term, deviant. At night, in other words, the idea of wandering cannot be dissociated from the idea of erring - wanderring. This elision or semantic slurring is present in the final lines of John Milton's Paradise Lost (1667), where the poet offers a glimpse, for perpetuity, of Adam and Eve, after their expulsion from Paradise, entering the post-lapsarian world on foot: 'They, hand in hand, with wandering steps and slow, / Through Eden took their solitary way.' Wandering steps. In a double sense, Adam and Eve are errant: at once itinerant and aberrant. They are condemned to a life of ceaseless, restless sinfulness. ""-- Provided by publisher Before the age of the gas lamp, the city at night was a different place, home to the lost, the vagrant and the noctiambulators. In this brilliant work of literary investigation, Matthew Beautmont shines a light on the dark perambulations of poets, novelists and thinkers from Shakespeare, the ecstatic strolls of William Blake, the feverish urges of opium addict De Quincey as well as the master night walker, Charles Dickens.