نگرش‌های نوین در آیکونوگرافی: مطالعات بصری و انسان‌شناسی (آیکونوگرافی‌ها)

Visual studies emerged in the context of a growing awareness of the impact of visual media on society and culture; from the 1990s onwards, art historians no longer had an exclusive patent on the study of the visual medium. This volume follows the developments in the iconological methods in visual arts and offers a platform for collaboration between individuals and institutions interested in the evolution of iconological interpretation. Sharing lectures, ideas, methods, and old and current research on iconology, this account promotes the further study and exploration of making, meaning, and migration of images in art history. In This Book The Authors Investigate How Iconology As A Field And Method, Which Originated Within Art History, Relates To Recent Developments In The Humanities Such As Anthropology And Visual Studies. The Main Questions Are: How Has Iconology Evolved In The Past Decennia, Could It Incorporate Anthropology And Visual Studies Towards A New Science Of Images? How Have New Disciplines Profited From Iconology And How Can They In Turn Inspire And/or Reinvent Iconology? These Questions Are Addressed Within A Wide Historical Andgeographical Scope, As We Regard The Tracing Of Pictorial Meaning Throughout Time And Space An Essential Characteristic Of Iconology. Barbara Baert , Ann-sophie Lehmann, Jenke Van Den Akkerveken (eds.) ; With The Collaboration Of Niels Schalley. Front Contents INTRODUCTION PART I: ICONOLOGY AND VISUAL STUDIES PART II : ICONOLOGY AND ANTHROPOLOGY Notes on the Authors