Necessary Lies

Amazon.com Review 2001 Amazon.com/Books in Canada First Novel Award Winner: Eva Stachniak's Necessary Lies is an earnest debut novel that explores the secrets, falsifications, and betrayals that build empires while rupturing the lives of individuals. Set during one of the 20th century's most tumultuous decades, it tells the story of Anna, a lecturer in English from the University of Wroclaw, who arrives in Montreal in the fall of 1981. When martial law is declared in Poland, she chooses to remain in Canada, although emigration means abandoning her husband, an activist in the political opposition, and deserting her homeland as it reels from the shock of being betrayed by its own people. What follows is a bittersweet tale of Anna's marriage to a German émigré, a composer, and her journey back to Europe 10 years later--after his death and the fall of Communism--to come to terms with her own departure and her second husband's past. Necessary Lies , which won the Amazon.com/Books in Canada First Novel Award, tackles an intriguingly volatile period of repression, recrimination, and reconciliation in central and eastern Europe (and in Canada's separatist Quebec as well). Stachniak is a lucid lecturer who deftly makes fiction from events that have been fodder for recent travel literature, such as Eva Hoffman's Exit into History: A Journey Through the New Eastern Europe and Irena Karafilly's Ashes and Miracles: A Polish Journey . Stachniak's strength as a writer lies in her skill in invoking place--its sights and smells and energy--and in juxtaposing a city's present with its complex past. Like an archaeologist or archivist, she delves into the layers of history to reveal the collective source of personal tragedy. But these strengths ultimately prove to be the novel's shortcoming as a work of fiction. Stachniak has a faintly irritating tendency (right from page 1) to engage in irresolvable arguments about whether Poland is part of central or eastern Europe. More significantly, she fails to render psychologically compelling characters, despite the potentially fascinating figures she draws upon. Furthermore, central confrontation scenes with Anna's Polish ex-husband and her second husband's longtime German lover miss the opportunity to sound the depths of betrayal. How unsatisfactory for the reader when the collision of two world views gets reduced to the banality of a co-owned apartment buyout. --Diana Kuprel Review "It's not easy for a fiction writer to keep up with history when it's this big, but Stachniak and her characters do precisely that--as their own secrets and lies and hard-worn resilience parallel the extraordinary events happening around them. Necessary Lies is a brave and ambitious novel and a worthy winner." Joel Yanofsky. "Necessary Lies serves to remind where we are by reminding where many of us have come from." Olga Stein. ""[Stachniak's human comedy is the oldest and best sort. Woven through the inevitable sadness is wonder at the revelation of human complexity and resilience.", Jim Bartley, The Globe and Mail Eva Stachniak's Necessary Lies is an earnest debut novel that explores the secrets, falsifications, and betrayals that build empires while rupturing the lives of individuals. Set during one of the 20th century's most tumultuous decades, it tells the story of Anna, a lecturer in English from the University of Wroclaw, who arrives in Montreal in the fall of 1981. When martial law is declared in Poland, she chooses to remain in Canada, although emigration means abandoning her husband, an activist in the political opposition, and deserting her homeland as it reels from the shock of being betrayed by its own people. What follows is a bittersweet tale of Anna's marriage to a German migr, a composer, and her journey back to Europe 10 years later--after his death and the fall of Communism--to come to terms with her own departure and her second husband's past. Necessary Lies , which won the (http://Amazon.com/Books) Amazon.com/Books in Canada First Novel Award, tackles an intriguingly volatile period of repression, recrimination, and reconciliation in central and eastern Europe (and in Canada's separatist Quebec as well). Stachniak is a lucid lecturer who deftly makes fiction from events that have been fodder for recent travel literature, such as Eva Hoffman's Exit into History: A Journey Through the New Eastern Europe and Irena Karafilly's Ashes and Miracles: A Polish Journey . Stachniak's strength as a writer lies in her skill in invoking place--its sights and smells and energy--and in juxtaposing a city's present with its complex past. Like an archaeologist or archivist, she delves into the layers of history to reveal the collective source of personal tragedy. But these strengths ultimately prove to be the novel's shortcoming as a work of fiction. Stachniak has a faintly irritating tendency (right from page 1) to engage in irresolvable arguments about whether Poland is part of central or eastern Europe. More significantly, she fails to render psychologically compelling characters, despite the potentially fascinating figures she draws upon. Furthermore, central confrontation scenes with Anna's Polish ex-husband and her second husband's longtime German lover miss the opportunity to sound the depths of betrayal. How unsatisfactory for the reader when the collision of two world views gets reduced to the banality of a co-owned apartment buyout. --Diana Kuprel From the author of The Winter Palace comes Eve Stachniak’s first novel about the discovery of secrets and lies that stitch together empires and individual lives. Winner of the 2000 Amazon.com/Books in Canada First Novel Prize Necessary Lies tells the story of the discovery of secrets and lies that stitch together empires and individual lives. What are the lies we tell ourselves and others that get us through our lives? In the summer of 1981 Anna is suddenly offered the opportunity to study English at McGill University in Montreal. She jumps at the chance, leaving behind her job, her husband, and her country – Poland. She meets William, a music professor, and falls in love. Back home, martial law is declared. After almost ten years of marriage, William dies suddenly of a heart attack, and Anna is left to pick up the pieces. In the midst of grieving, she discovers more pieces than expected: for the length of their lives together, William carried on a long-distance affair with a woman journalist in Germany. In search of truth, Anna returns to a dramatically changed Europe, where Communism has fallen, the Berlin Wall has been torn down, and where, once again, history will have to be rewritten. Probing the depths of betrayal and forgiveness, she confronts her own past and the motives that drove her away from Poland; she sees herself through the eyes of her mother, her ex-husband, and most importantly, William’s German lover, Ursula. When Anna is offered the opportunity to move to Montreal, she jumps at the chance to leave her life in Poland behind. But when tragedy strikes 10 years later, Anna decides to return to a dramatically changed Europe. Probing the depths of betrayal and forgiveness, she confronts her own past and the motives that drove her away from Poland.