Narrative and representation in the poetry of Wallace Stevens : "A tune beyond us, yet ourselves"

In this study the author argues that the narrative and representational aspects of Steven's poetry has been neglected in favour of readings that stress his word play and rhetoricity. Stressing the poet's familiarity with modern painting, this book shows how Steven's concept of representation is deeply influenced by such figures as Picasso and Duchamp. Schwartz shows that Steven's poetry needs to be understood in terms of a number of major contexts including the American tradition of Emerson and Whitman, the Romantic movement and the modernist tradition. Through analysis of selected poems, from every stage of Steven's career, the author shows how the aesthetics and themes evolve. The author sees "The Man with the Blue Guitar" and "Notes Towards a Supreme Fiction" as central poems. "In this important study, the distinguished critic Daniel R. Schwarz argues that the narrative and representational aspects of Stevens's poetry have been neglected in favour of readings that stress Stevens's wordplay and rhetoricity. Stressing Stevens's familiarity with modern painting, Schwarz shows how Stevens's concept of representation is deeply influenced by such figures as Picasso and Duchamp. Schwarz shows that Stevens's poetry needs to be understood in terms of a number of major contexts: the American tradition of Emerson and Whitman, the Romantic movement and, most importantly, the modernist tradition." "Through careful analyses of selected poems from every stage of Stevens's career, Schwarz shows how Stevens's aesthetics and themes evolve. He sees 'The Man with the Blue Guitar' and 'Notes towards a Supreme Fiction' as central poems in the Stevens canon."--Jacket In this study Daniel R. Schwarz argues that the narrative and representational aspects of Stevens's poetry have been neglected in favour of readings that stress his word play and rhetoricity. Schwarz shows how Stevens's concept of representation is deeply influenced by modern painters such as Picasso and Duchamp. He shows that Stevens's poetry needs to be understood in terms of a number of major contexts: the American tradition of Emerson and Whitman, the Romantic movement, and the Modernist tradition. Daniel R. Schwarz. Includes Bibliographical References And Index.