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Musical notations of the Orient : notational systems of Continental, East, South, and Central Asia

معرفی کتاب «Musical notations of the Orient : notational systems of Continental, East, South, and Central Asia» نوشتهٔ by Walter Kaufmann، منتشرشده توسط نشر Indiana University Press در سال 1972. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

This book provides a description and preservation of Oriental notational systems, the study of which makes possible a deeper understanding of Eastern art music and demonstrates its character to the student more meaningfully than does the mere presentation of recordings and musical examples written in Western staff notation. The numerous problems arising from styles and techniques which are based upon improvisation and extramusical concepts are also considered. The purposes of this study will have been fulfilled if it serves as a stimulus toward further research in this fascinating, but, alas, quickly vanishing field. The presentation of Eastern notations may also provide some aesthetic pleasure from the study of unusual and often complex systems and symbols. Although I envisage two volumes, this one may be considered as a complete work in itself, as it deals mainly with musical notations used in continental East, South, and Central Asia. A second volume will describe the indigenous notations of Japan, the Ryukyu Islands, Indonesia, and the Islamic world. Musical Notations of the Orient Contents List of Illustrations Errata Introduction PART I: CHINESE LÜ AND RELATED NOTATIONS Chinese Notations The Lü-lü (China) Yul-cha-po (Korea) The Old Chinese Five-Tone Notation The Old Chinese Seven-Tone Notation PART II: THE CHINESE KUNG-CH’E-P’U AND RELATED NOTATIONS; INDIAN NOTATIONS AND NORTH INDIAN DRUMMING Kung-ch’ê-p’u (China) P’ing-tsê (China) KONG-CHǓK-PO (Korea) O-ǔm-yak-po (Korea) Chǔng-kan-po (Korea) Yuk-po (Korea) Ku-ǔm (Korea) Yǔn-ǔm-pyo (Korea) Su-tzǔ-p’u (China) THE NOTATIONS OF INDIA North India: Tone Syllables The Rhythmic Modes of North and South Indian Music South India: Melas and Notations The Drum Words and Drum Phrases of North Indian Music PART III: ZITHER TABLATURES Ch’in Tablature (China) Sê Tablature (China) Korean Zither Tablature (Hap-cha-po) PART IV: THE NOTATIONS OF THE BUDDHIST CHANT (TIBET) Notes Bibliography Index
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