Music, Dance, Affect, and Emotions in Latin America (Music, Culture, and Identity in Latin America)

Music, Dance, Affect, and Emotions in Latin America is a collection of essays that analyze different manifestations of Argentine music and dance taking advantage of the exciting new theoretical developments advanced by the current affective turn. Contributors deal with the relationship between music, dance, affects, feelings, and emotions in different scenarios and show how the embodiment of music shape the experiential in ways that may impact upon but nevertheless many times evade conscious knowing. This book is one of the first academic attempts (regardless of region or country of scope) to try to solve some of the most important problems the affective turn has identified regarding how music and dance have been researched so far, such as the tendency, in representational accounts of music, to ignore the sensory and sonic registers to the detriment of the embodied and lived registers of experience and feeling that unfold in the process of making or listening to music. Contents Acknowledgments Introduction 1 Music, Dance, Affect, and Emotions 2 The Embodiment of Gozo 3 Traditional Sonorous Poetics 4 Pleasures in Conflict 5 Self-Expression through Self-Discipline 6 Did Cumbia Villera Bother Us? 7 Peronism and Communism, Feelings and Songs 8 Music, Dance, Affect, and Emotions Index About the Contributors This collection deals with various manifestations of Argentine music and dance and how they relate to affects, feelings, and emotions, showing how music creates particular atmospheres, via the induction, modulation and circulation of affects and emotions, which are felt but, at the same time, they do not belong to anybody in particular.