Music and the Cognitive Sciences 1990 (Contemporary Music Review (M.E. Sharpe))

This issue comprises the 25 papers presented at the Second Music and the Cognitive Sciences conference held at Cambridge University in 1990. Book Cover......Page 1 Title......Page 3 Copyright......Page 5 Contents......Page 7 Introduction: Cognitive Science and Music—An Overview......Page 10 Music in Culture......Page 16 An Interactive Experimental Method for the Determination of Musical Scales in Oral Cultures......Page 23 The Influence of the Taambura Drone on the Perception of Proximity Among Scale Types in North Indian Classical Music......Page 30 Constraints on Music Cognition—Psychoacoustical......Page 46 Identification and Blend of Timbres as a Basis for Orchestration......Page 64 What is the Octave of a Harmonically Rich Note?......Page 84 Brighness and Octave Position: Are Changes in Spectral Envelope and in Tone Height Perceptually Equivalent?......Page 98 Constraints on Music Cognition—Neural......Page 111 Split-Brain Studies of Music Perception and Cognition......Page 128 Music Structure in Cognition......Page 141 Is the Perception of Melody Governed by Motivic Arguments or by Generative Rules or by Both?......Page 159 Transformation, Migration and Restoration Shades of Illusion in te Perception of Music......Page 172 Associationism and Musical Soundtrack Phenomena......Page 184 Rhythm Perception: Interactions Between Time and Intensity......Page 201 Mechanisms of Cue Extraction in Memory for Musical Time......Page 213 Generativity, Mimesis and the Human Body in Music Performance......Page 230 Representation of Musical Structure......Page 244 A Connectionist and a Traditional AI Quantizer, Symbolic Versus Sub-Symbolic Models of Rhythm Perception......Page 263 Computer Perception of Phrase Structure......Page 283 Critical Study of Sundberg's Rules for Experssion in the Performance of Melodies......Page 296 Contribution to the Design of an Expert System for the Generation of Tonal Multiple Counterpoint......Page 305 Computer-Aided Comparison of Syntax Systems in Three Piano Pieces by Debussy......Page 316 General Issues in Cognitive Musicology......Page 338 Psychological Analysis of Musical Composition......Page 345 How do We Perceive Atonal Music? Suggestions for a Theoretical Approach?......Page 362 Name Index......Page 377 Subject Index......Page 388 Notes For Contributors......Page 398 This issue comprises the twenty-five papers presented at the Second Music and the Cognitive Sciences conference held at Cambridge University in 1990.