موسیقی و نقد تاریخی: مقالات منتخب (سری متفکران معاصر در موسیقی‌شناسی انتقادی آشتگیت)

Music and Historical Critique provides a definitive collection of Gary Tomlinson's influential studies on critical musicology, with the watchword throughout being history. This collection gathers his most innovative essays and lectures, some of them published here for the first time, along with an introduction outlining the context of the contributions and commenting on their aims and significance. Music and Historical Critique provides a retrospective view of the author's achievements in bringing to the heart of musicological discourse both deep-seated experiences of the past and meditations on the historian's ways of understanding them. Series Page 3 Title Page 4 Copyright 5 Dedication 6 Contents 8 Acknowledgernents 10 Introduction 12 List of Published Writings 18 1 The Web of Culture: A Context for Musicology (1984) 24 2 Music and the Claims of Text: Monteverdi, Rinuccini, and Marino (1982) 38 3 Opera and Drarne: Hugo, Donizetti, and Verdi (1988) 64 4 Italian Romanticism and Italian Opera: An Essay in Their Affinities (1986) 86 5 Pastoral and Musical Magic in the Birth of Opera (1995) 104 6 Musical Pasts and Postmodern Musicologies: A Response to Lawrence Kramer (1993) and Tomlinson Responds (1993) 118 7 Giaches de Wert and the Discourse of Petrarchism (1993) 130 8 Cultural Dialogics and Jazz: A White Historian Signifies (1992) 140 9 Unleaming the Aztec Cantares (Preliminaries to a Postcolonial History) (1996) 172 10 Finding Ground to Stand On (1997) 200 11 Self, Other, and the Emergence of Musical Modernity (2007) 212 12 Vico’s Songs: Detours atthe Origins of (Ethno)Musicology (1999) 220 13 Ghosts in the Machine (1999) 254 14 Harnlet and Poppea (2007) 276 15 Learning to Curse at Sixty-Seven (2002) 292 16 Musicology, Anthropology, History (2001) 306 17 Five Pietures of Pathos (2004) 324 18 Il faut mediterraniser la musique: After Braudei (2007) 350 Index 370 Provides a collection of the author's studies on critical musicology. This collection gathers essays and lectures, along with an introduction outlining the context of the contributions and commenting on their aims and significance. It provides retrospective view of his achievements in bringing to musicological discourse the experiences of past. The titles in this series bring together a selection of previously published and some unpublished essays by leading authorities in the field of critical musicology. Each author has made a selection of their own work in one volume with an introduction which discusses the essays chosen and puts them into context