موسیقی و آشنایی: شنیدن، موسیقی‌شناسی و اجرا (مطالعات SEMPRE در روانشناسی موسیقی)

Familiarity underpins our engagement with music. This book highlights theoretical and empirical considerations about familiarity from three perspectives: listening, musicology and performance. Part I, 'Listening', addresses familiarity as it relates to listeners' behaviour and responses to music, specifically in regulating our choice and exposure to music on a daily basis; how we get to know music through regular listening; how comfortable we feel in a Western concert environment; and music's efficacy as a pain-reliever. Part II, 'Musicology' exposes the notion of familiarity from varied stances, including appreciation of music in our own and other cultures through ethnomusicology; exploration of the perception of sounds via music analysis; philosophical reflection on the efficiency of communication in musicology; evaluation of the impact of researchers' musical experiences on their work; and the influence of familiarity in music education. Part III, 'Performance', focuses on the effects of familiarity in relation to different aspects of Western art and popular performance, including learning and memorizing music; examination of 'groove' in popular performance; exploration of the role of familiarity in shaping socio-emotional behaviour between members of an ensemble; and consideration about the effects of the unique type of familiarity gained by musicians through the act of performance itself. Part I. Listening. Keeping It Fresh: How Listeners Regulate Their Own Exposure To Familiar Music / Alinka Greasley And Alexandra Lamont -- Familiarity, Schemata And Patterns Of Listening / Helen M. Prior -- Effects Of Repertoire Familiarity And Listening Preparation On New Audiences’ Experiences Of Classical Concert Attendance / Melissa C. Dobson -- Familiarity With Music In Post-operative Clinical Care: A Qualitative Study / Katherine A. Finlay -- Part Ii. Musicology. Unfamiliar Sounds? Approaches To Intercultural Interaction In The World’s Musics / Henry Stobart -- Well, What Do You Know? Or, What Do You Know Well? Familiarity As A Structural Force In Crumb’s Black Angels / Jonathan James Hargreaves -- Familiarity, Information And Musicological Efficiency / Vanessa Hawes -- Familiarity And Reflexivity In The Research Process / Clemens Wöllner, Jane Ginsborg And Aaron Williamon -- Familiarity In Music Education / Susan Hallam -- Part Iii. Performance. Significance Of Familiar Structures In Music Memorisation And Performance / Artemis Apostolaki -- Groove As Familiarity With Time / Rowan Oliver -- Social Familiarity: Styles Of Interaction In Chamber Ensemble Rehearsal / Elaine King -- Familiarity And Musical Performance / Mine Doğantan-dack. Edited By Elaine King, Helen M. Prior. Includes Bibliographical References And Index. Familiarity underpins our engagement with music. In Music and Familiarity, King and Prior bring together 13 essays that highlight theoretical and empirical considerations about familiarity from three perspectives: listening, musicology, and performance. This book explores the ways in which familiarity impacts our behaviour and responses to music; influences our appreciation and perceptions of music; and also how familiarity affects musicians' performance practices