Muroji : Rearranging Art and History at a Japanese Buddhist Temple

Murōji, a magnificent temple founded in the eighth century, is known both for its dramatic location and the exceptional quality of its ritual objects and art dating from the ninth and tenth centuries of the Heian period. Sherry Fowler makes extensive use of primary sources to explore the circumstances surrounding the creation and function of the temple’s main images and considers why major works of early Heian sculpture were housed in such a remote mountain setting. Employing a multifaceted approach that looks at Murōji’s art and architecture in socio-political context, she explores the establishment of the temple, its role in the religious life and power structure of the region, and the ways in which the temple reconfigured its early history to suit its later circumstances. Emerging from Fowler’s study are pervasive themes relating to worship and practice at Murōji that highlight plurality of practice (of different schools of Buddhism as well as Shinto); flexibility of practice and its impact on sculptural icons; the relationship of Murōji to other temple/shrine complexes; and the association of the temple with women’s worship.

Gateway to Japan spotlights four categories of cross-cultural interaction - war, diplomacy, piracy, and trade - over a period of eight hundred years to gain insight into several larger questions about Japan and its place in the world: How and why did Hakata come to serve as the country's "front door"? How did geography influence the development of state and society in the Japanese archipelago? Has Japan been historically open or closed to outside influence? Why are Japanese so profoundly ambivalent about other places and people?

Individual chapters focus on Chinese expansionism and its consequences for Japan and East Asia as a whole; the subtle (and not-so-subtle) contradictions and obfuscations of the diplomatic process as seen in Japanese treatment of Korean envoys visiting Kyushu; random but sometimes devastating attacks on Kyushu by Korean (and sometimes Japanese) pirates; and foreign commerce in and around Hakata, which turns out to be neither fully "foreign" nor fully "commerce" in the modern sense of the word. The conclusion briefly traces the story forward into medieval and early modern times.

Enriched by fascinating historical vignettes and dozens of maps and photographs, this engagingly written volume explores issues not only important for Japan's early history but also highly pertinent to Japan's role in the world today. Now, as in the period examined here, Japan has one principal entry point (the international airport at Narita); its relationship with the outside world (both East and West) is ambivalent; and, while sometimes astonishingly open-minded, Japanese are at other times frustratingly exclusive in their dealings with non-Japanese. Gateway to Japan will be of substantial interest to all students of Japan, East Asia, and intercultural studies.

Contents List of Illustrations Acknowledgments Introduction Chapter one. Below the Surface of Mt. Murō Chapter two. Religious Affiliations and Contested Histories Chapter three. The Building and Rebuilding of Murōji Chapter four. Outside and Inside the Golden Hall Chapter five. Shifting Identities and Trading Places in the Golden Hall Conclusion: Manifestation of Multiplicity Appendix Notes Glossary of Japanese and Chinese characters Bibliography Index