Moved by Love : Inspired Artists and Deviant Women in Eighteenth-Century France

In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness—even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them.Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture. In Eighteenth-century France, The Ability To Lose Oneself In A Character Or Scene Marked Both Great Artists And Ideal Spectators. Yet Is Was Thought This Same Passionate Enthusiasm, If Taken To Unreasonable Extremes, Could Also Lead To Sexual Deviance, Mental Illness - Even Death. Women And Artists Were Seen As Especially Susceptible To These Negative Consequences Of Creative Enthusiasm, And Women Artists, Doubly So.. Mary D. Sheriff Uses These Very Different Visions Of Enthusiasm To Explore The Complex Interrelationships Among Creativity, Sexuality, The Body, And The Mind In Eighteenth-century France. Drawing On Evidence From The Visual Arts, Literature, Philosophy, And Medicine, She Portrays The Deviance Ascribed To Both Inspired Men And Women. But While Various Mythologies Worked To Normalize Deviance In Male Artists, Women Had No Justification. For Instance, The Mythical Sculptor Pygmalion Was Cured Of An Abnormal Love For His Statues Through The Making Of Art. He Became A Model For Creative Artists, Living Happily With His Statues Come To Life. No Happy Endings, Though, Were Imagined For Such Inspired Women Writers As Sappho And Heloise, Who Burned With An Erotomania Their Art Could Not Quench. Even So, Sheriff Demonstrates That The Perceived Connections Among Sexuality, Creativity, And Disease Also Opened Artistic Opportunities For Women - And Creative Women Took Full Advantage Of Them.--book Jacket. Enthusiasm : Reason's Masterpiece -- The Artist And The Woman -- Deviant Spectators : Ignorant Girls And Women Who Know Too Much -- Pygmalion's Enthusiasm And The Fires Of Nymphomania, Or The Psychology Of Art And Desire -- The Model Pygmalion And The Artist Galatea -- Inspired By Heloise. Mary Sheriff. Includes Bibliographical References (p. 283-295) And Index. In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness -- even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body, and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statues through the making of art. He became a model for creative artists, living happily with his statues come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with an erotomania their art could not quench. Even so, Sheriff demonstrates that the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for women -- and creative women took full advantage of them. Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth-century French culture. In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was thought this same passionate enthusiasm, if taken to unreasonable extremes, could also lead to sexual deviance, mental illness—even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasm, and women artists, doubly so. Mary D. Sheriff uses these very different visions of enthusiasm to explore the complex interrelationships among creativity, sexuality, the body and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she portrays the deviance ascribed to both inspired men and women. But while various mythologies worked to normalize deviance in male artists, women had no justification for their deviance. For instance, the mythical sculptor Pygmalion was cured of an abnormal love for his statue through the making of art. He became a model for creative artists, living happily with his statue come to life. No happy endings, though, were imagined for such inspired women writers as Sappho and Heloise, who burned with erotomania their art could not quench. Even so, Sheriff demonstrates, the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for creative women took full advantage of them. Brilliantly reassessing the links between sexuality and creativity, artistic genius and madness, passion and reason, Moved by Love will profoundly reshape our view of eighteenth- century French culture. In eighteenth-century France, the ability to lose oneself in a character or scene marked both great artists and ideal spectators. Yet it was also thought this same passionate enthusiasm, if taken to unreasonable extremes, could lead to sexual deviance, mental illness, and even death. Women and artists were seen as especially susceptible to these negative consequences of creative enthusiasmand women artists doubly so. Mary D. Sheriff uses these very different visions of artistic enthusiasm to explore the complex interrelationships among creativity, sexuality, the body, and the mind in eighteenth-century France. Drawing on evidence from the visual arts, literature, philosophy, and medicine, she scrutinizes the different forms of deviance ascribed to male and female artists. Sheriff also demonstrates that the perceived connections among sexuality, creativity, and disease also opened artistic opportunities for womenand creative women took full advantage of them.