Motherfuckers : the Auschwitz of Oz : a novel

The Citizen Kane of Bad Taste. There's so much evil energy in this book, if it moved next door to you you'd probably get cancer within a week! In the long-awaited sequel to David Britton's first novel, Lord Horror (and Savoy's contender for the 1996 Booker Prize for Fiction) the great horror of modern history is absorbed into the framework of Surrealism, literary fantasy and the darkest children's fiction. By viewing the Holocaust as a tragicomic carnival of the grotesque, the author offers the reader a vivid, dream-level identification with the era of efficient barbarism. A terrain of unfettered imagination, written to the glorious edgy, spooky, intense, mad, weird Rock'n'Roll and Rhythm'n'Blues music of the 1950s, from a series of tapes compiled for David Britton by the legendary Roger Eagle. Roger provided us with the best and most obscure down home Blues, Rockabilly, Hilly-Country and Rockin' instrumentals from that seething decade. His experience and unrivalled musical library helped reinforce the musical motifs that run through Motherfuckers. Clubman and DJ extraordinaire, Roger was a friend of ours for thirty years. A word to the wise: Roger was owner The Magic Village Club in Manchester and helped form the Punk movement of the '70s with his seminal Liverpool club, Eric's. As a promoter he brought to Britain many Blues performers (Bo Diddley, LaVern Baker, Screamin' Jay Hawkins) and a number of Jamaican artists, particularly Lee 'Scratch' Perry. The great horror of modern history absorbed into the framework of surrealism, literary fantasy and the darkest children's fiction. Lautreamont and Sade meet Roald Dahl. The main protagonists are everyone's favorite comic heroes - Meng and Ecker - mutant twins, rescued from the death camps for 'research' purposes by the infamous Dr. Mengele. Unsurprisingly, this book has already appeared in court in Britain....