Moth Smoke

When Daru Shezad is fired from his banking job in Lahore, he begins a decline that plummets the length of this sharply drawn, subversive tale. Before long, he can't pay his bills, and he loses his toehold among Pakistan's cell-phone-toting elite. Daru descends into drugs and dissolution, and, for good measure, he falls in love with the wife of his childhood friend and rival, Ozithe beautiful, restless Mumtaz. Desperate to reverse his fortunes, Daru embarks on a career in crime, taking as his partner Murad Badshah, the notorious rickshaw driver, populist, and pirate. When a long-planned heist goes awry, Daru finds himself on trial for a murder he may or may not have committed. The uncertainty of his fate mirrors that of Pakistan itself, hyped on the prospect of becoming a nuclear player even as corruption drains its political will. Fast-paced and unexpected, Moth Smoke portrays a contemporary Pakistan as far more vivid and disturbing than the exoticized images of South Asia familiar to most of the West. This debut novel establishes Mohsin Hamid as a writer of substance and imagination. Amazon.com Review Since the late 1970s, India in all her infinite variety has been brought to life as a posse of Indian authors writing in English have exploded onto the scene: Salman Rushdie, Arundhati Roy, Anita Desai, Rohinton Mistry, Vikram Seth, Bharati Mukherjee--the list is legion. But what of Pakistan--that Siamese twin, painfully separated in the partition of 1947? Though neither as numerous nor as well known as their Indian counterparts, Pakistani writers are beginning to make an impression on Western readers. Novelists from Rushdie to the Pakistani Bapsi Sidwha have written about the partition and the bloody civil war that followed; even stories set in modern-day Bombay or Lahore cannot escape the aftershocks of the division. On the surface, Mohsin Hamid's first novel, Moth Smoke , seems more domestic than political drama: narrated from several different perspectives, it tells the story of Daru Shezad's ill-fated affair with his best friend's wife, Mumtaz. But in a country like Pakistan, the personal and the political are difficult to separate, and as the story moves along, the divisions between gender, class, and opportunity provide a not-so-subtle commentary on the fissures that run through contemporary Pakistani society. The novel begins, tellingly, with a historical fragment about the internecine wars of succession that followed the rule of Emperor Shah Jahan (builder of the Taj Mahal): Imprisoned in his fort at Agra, staring at the Taj he had built, an aged Shah Jahan received as a gift from his youngest son the head of his eldest. Perhaps he doubted, then, the memory that his boys had once played together, far from his supervision and years ago, in Lahore. Jump ahead several hundred years to Lahore in the summer of 1998. Childhood playmates Daru and Ozi have just reunited again after Ozi's three-year stay in America. Glad as he is to see his old friend, Daru can't keep his eyes off of Ozi's wife, Mumtaz. "You know you're in trouble when you can't meet a woman's eye," he says. But woman trouble isn't his only problem; he's also addicted to hash, which leads to his dismissal from an upscale job as a banker. Soon Daru spirals out of control into a degraded existence on the fringes of society. Then a young boy is killed in a hit-and-run accident, and he is accused and jailed. Shah Jehan would probably recognize this age-old story of love and revenge playing out once more--this time against the backdrop of the Indian-Pakistani arms race. Hamid artfully weaves the subcontinent's tragic history into his characters' no-less-tragic present, rendering Moth Smoke a novel that resonates on many levels. --Sheila Bright From Publishers Weekly Hamid subjects contemporary Pakistan to fierce scrutiny in his first novel, tracing the downward spiral of Darashikoh "Daru" Shezad, a young man whose uneasy status on the fringes of the Lahore elite is imperiled when he is fired from his job at a bank. Daru owes both the job and his education to his best friend Ozi's father, Khurram, a corrupt former official of one of the Pakistan regimes who has looked out for Daru ever since Daru's father, an old army buddy of Khurram's, died in the early '70s. As the story begins, Ozi has just returned from America, where he earned a college degree, with his wife, Mumtaz, and child. From the moment they meet, Daru and Mumtaz are drawn to each other. Mumtaz is fascinated by Daru's air of suppressed violence, and Daru is intrigued by Mumtaz's secret career as an investigative journalist; the two share a taste for recreational drugs, sex and sports. But their affair really begins after Daru witnesses Ozi, driving recklessly, mow down a teenage boy and flee the scene. Daru decides then that Ozi is morally bankrupt. But as Daru becomes more dependent on drugs, the arrogance he himself has absorbed from his upper-class upbringing stands out in stark contrast to his circumstances. Daru's noirish, first-person account of his moral descent, culminating with murder, interweaves with chapters written in the distinctive voices of the other characters. One in particular comes vividly to life: Murad Badshah, a sort of Pakastani Falstaff, officially the head of a rickshaw company, but kept afloat by drug dealing and robbery. Hamid's tale, played out against the background of Pakistan's recent testing of a nuclear device, creates a powerful image of an insecure society toying with its own dissolution. (Jan.) Copyright 1999 Reed Business Information, Inc. The debut novel from the internationally bestselling author of Exit West and The Reluctant Fundamentalist , both shortlisted for the Man Booker Prize Moth Smoke , Mohsin Hamid’s deftly conceived first novel, immediately marked him as an uncommonly gifted and ambitious young literary talent to watch when it was published in 2000. It tells the story of Daru Shezad, who, fired from his banking job in Lahore, begins a decline that plummets the length of Hamid’s sharply drawn, subversive tale. Fast-paced and unexpected, Moth Smoke was ahead of its time in portraying a contemporary Pakistan far more vivid and complex than the exoticized images of South Asia then familiar to the West. It established Mohsin Hamid as an internationally important writer of substance and imagination and the premier Pakistani author of our time, a promise he has amply fulfilled with each successive book. This debut novel, meanwhile, remains as compelling and deeply relevant to the moment as when it appeared more than a decade ago. A portrait of contemporary Pakistan featuring an adulterous romance between two ultra-rich jet setters. He is a banker and she is the wife of his best friend, and she is escaping the constraints of marriage and motherhood by prowling the city as a journalist.