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Monsters in the Closet: Homosexuality and the Horror Film (Inside Popular Film)

معرفی کتاب «Monsters in the Closet: Homosexuality and the Horror Film (Inside Popular Film)» نوشتهٔ Harry M. Benshoff; Mark Jancovich; Eric Schaefer، منتشرشده توسط نشر Manchester University Press; Distributed exclusively in the USA by St. Martin's Press در سال 1997. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

"Monster in the closet" is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monsters in the closet examines how the horror film started and continues, to demonise (or quite literally 'monsterise') queer sexuality, and what the pleasures and 'costs' of such representations might be both for individual spectators and culture at large.

Monster in the Closet is a history of the horrors film that explores the genre's relationship to the social and cultural history of homosexuality in America. Drawing on a wide variety of films and primary source materials including censorship files, critical reviews, promotional materials, fanzines, men's magazines, and popular news weeklies, the book examines the historical figure of the movie monster in relation to various medical, psychological, religious and social models of homosexuality. While recent work within gay and lesbian studies has explored how the genetic tropes of the horror film intersect with popular culture's understanding of queerness, this is the first book to examine how the concept of the monster queer has evolved from era to era. From the gay and lesbian sensibilities encoded into the form and content of the classical Hollywood horror film, to recent films which play upon AIDS-related fears. Monster in the Closet examines how the horror film started and continues, to demonize (or quite literally "monsterize") queer sexuality, and what the pleasures and "costs" of such representations might be both for individual spectators and culture at large.

One of the few books to address the horror film from any kind of critical position.. Unique - The first history of the horror film to approach it from a queer perspective.. Written with detail and thoroughness - covers all eras of the horror film and correlates specific types of movie monsters to the historical social conditions which produced them.. Explores how popular culture encodes and demonizes queerness within the generic format of the horror film. This history of the horror film explores the genre's relationship to the social and cultural history of homosexuality in America. The text draws on a wide variety of films and primary sources including censorship files, critical reviews, promotional materials, fanzines and popular news weeklies.
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