Modes of Philology in Medieval South India (Philological Encounters Monographs) (Philological Encounters Monographs, 1)

In Modes of Philology in Medieval South India, Whitney Cox rethinks the textual practices of a diverse collection of scholars and poets writing in Sanskrit, Tamil, and Prakrit in far southern India between the 11th and the 14th centuries CE. Readership: Scholars and post-graduate students in any of the following fields: medieval Indian history; Sanskrit and Tamil studies; the history Indian religions, especially the Tantric traditions; historians of philology. Philology Was Everywhere And Nowhere In Classical South Asia. While Its Civilizations Possessed Remarkably Sophisticated Tools And Methods Of Textual Analysis, Interpretation, And Transmission, They Lacked Any Sense Of A Common Disciplinary Or Intellectual Project Uniting These; Indeed They Lacked A Word For 'philology' Altogether. Arguing That Such Pseudepigraphical Genres As The Sanskrit 'puranas' And Tantras Incorporated Modes Of Philological Reading And Writing, Cox Demonstrates The Ways In Which The Production Of These Works In Turn Motivated The Invention Of New Kinds Of 'sastric' Scholarship. Combining Close Textual Analysis With Wider Theoretical Concerns, Cox Traces This Philological Transformation In The Works Of The Dramaturgist Saradatanaya, The Celebrated Vaisnava Poet-theologian Venkatanatha, And The Maverick Saiva Mystic Mahesvarananda. By Whitney Cox. Includes Bibliographical References And Index. Philology was everywhere and nowhere in classical South Asia. While its civilizations possessed remarkably sophisticated tools and methods of textual analysis, interpretation, and transmission, they lacked any sense of a common disciplinary or intellectual project uniting these; indeed they lacked a word for 'philology' altogether. Arguing that such pseudepigraphical genres as the Sanskrit purāṇas and tantras incorporated modes of philological reading and writing, Cox demonstrates the ways in which the production of these works in turn motivated the invention of new kinds of śāstric scholarship. Combining close textual analysis with wider theoretical concerns, Cox traces this philological transformation in the works of the dramaturgist Śāradātanaya, the celebrated Vaiṣṇava poet-theologian Veṅkaṭanātha, and the maverick Śaiva mystic Maheśvarānanda