Miss Lonelyhearts & The Day of the Locust (New Edition) (New Directions Paperbook)

Retail First published in 1933, Miss Lonelyhearts remains one of the most shocking works of 20th century American literature. In The Day of the Locust a young artist, Tod Hackett, arrives in LA full of dreams. But celebrity and artifice rule and he soon joins the ranks of the disenchanted that drift around the fringes of Hollywood. Miss Lonelyhearts is a decidedly off-kilter, darkly comic tale set in New York in the early 30s. A nameless man is assigned to produce a newspaper advice column. It was meant to be a joke. But as endless letters from the Desperate, Sick-of-it-All and Disillusioned pile up for Miss Lonelyhearts's attention the joke begins to escape him...

First published in 1933, Miss Lonelyhearts remains one of the most shocking works of 20th century American literature, as unnerving as a glob of black bile vomited up at a church social: empty, blasphemous,
and horrific. Set in New York during the Depression and probably West's most powerful work, Miss Lonelyhearts concerns a nameless man assigned to produce a newspaper advice column — but as time passes he begins to break under the endless misery of those who write in, begging him for advice. Unable to find answers, and with his shaky Christianity ridiculed to razor-edged shards by his poisonous editor, he tumbles into alcoholism and a madness fueled by his own spiritual emptiness.

During his years in Hollywood West wrote The Day of the Locust, a study of the fragility of illusion. Many critics consider it with F. Scott Fitzgerald's unfinished masterpiece The Last Tycoon (1941) among the best novels written about Hollywood. Set in Hollywood during the Depression, the narrator, Tod Hackett, comes to California in the hope of a career as a painter for movie backdrops but soon joins the disenchanted second-rate actors, technicians, laborers and other characters living on the fringes of the movie industry. Tod tries to seduce Faye Greener; she is seventeen. Her protector is an old man named Homer Simpson. Tod finds work on a film called prophetically “The Burning of Los Angeles,” and the dark comic tale ends in an apocalyptic mob riot outside a Hollywood premiere, as the system runs out of control.

"Somehow or other I seem to have slipped in between all the 'schools,'" observed Nathanael West the year before his untimely death in 1940. "My books meet no needs except my own, their circulation is practically private and I'm lucky to be published." Yet today, West is widely recognized as a prophetic writer whose dark and comic vision of a society obsessed with mass-produced fantasies foretold much of what was to come in American life. Miss Lonelyhearts (1933), which West envisioned as "a novel in the form of a comic strip," tells of an advice-to-the-lovelorn columnist who becomes tragically embroiled in the desperate lives of his readers. The Day of the Locust (1939) is West's great dystopian Hollywood novel based on his experiences at the seedy fringes of the movie industry. "Miss Lonelyhearts -- compared by Flannery O'Connor to Faulkner's As I Lay Dying -- is about a newspaper reporter assigned to write the agony column, but, caught up in a vision of suffering, he seeks a way out (through art, sex, religion), only to be rebuffed at every turn by his cynical editor Shrike. The Day of the Locust -- considered by many to be the best novel ever written about Hollywood -- is about Tod Hackett, who hopes for a career in set design only to discover the boredom and emptiness of Hollywood's inhabitants. In the end, only blood will serve. The day of the locust is at hand ..."--Publisher's website Two classic novels are included in a single volume, first, Miss Lonelyhearts, about a newspaper reporter seeking to avoid writing an agony column, with only his cynical editor Shrike in the way, the second, The Day of the Locust, about Tod Hackett, who pines for a role in the film industry, only to discover the emptiness of Hollywood's inhabitants. Original. "A primer for Big Bad City disillusionment, unsparing in its portrayal of New York's debilitating entropy."—The Village Voice. With a new introduction by Jonathan Lethem.