Midnight in the garden of good and evil : a Savannah story

THE LANDMARK NEW YORK TIMES BESTSELLER • An enormously engaging portrait of a most beguiling Southern city: “Elegant and wicked.... [This] might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.'—The New York Times Book Review • 30th Anniversary Edition with a New Afterword by the Author.Shots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the'soul of pampered self-absorption'; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Midnight in the Garden of Good and Evil is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this true-crime book has become a modern classic. Shots Rang Out In Savannah's Grandest Mansion In The Misty, Early Morning Hours Of May 2, 1981. Was It Murder Or Self-defense? For Nearly A Decade, The Shooting And Its Aftermath Reverberated Throughout This Hauntingly Beautiful City Of Moss-hung Oaks And Shaded Squares. John Berendt's Sharply Observed, Suspenseful, And Witty Narrative Reads Like A Thoroughly Engrossing Novel, And Yet It Is A Work Of Nonfiction. Berendt Skillfully Interweaves A Hugely Entertaining First-person Account Of Life In This Isolated Remnant Of The Old South With The Unpredictable Twists And Turns Of A Landmark Murder Case. It Is A Spellbinding Story Peopled By A Gallery Of Remarkable Characters: The Well-bred Society Ladies Of The Married Woman's Card Club; The Turbulent Young Redneck Gigolo; The Hapless Recluse Who Owns A Bottle Of Poison So Powerful It Could Kill Every Man, Woman, And Child In Savannah; The Aging And Profane Southern Belle Who Is The Soul Of Pampered Self-absorption; The Uproariously Funny Black Drag Queen; The Acerbic And Arrogant Antiques Dealer; The Sweet-talking, Piano-playing Con Artist; Young Blacks Dancing The Minuet At The Black Debutante Ball; And Minerva, The Voodoo Priestess Who Works Her Magic In The Graveyard At Midnight. These And Other Savannahians Act As A Greek Chorus, With Berendt Revealing The Alliances, Hostilities, And Intrigues That Thrive In A Town Where Everyone Knows Everyone Else. Midnight In The Garden Of Good And Evil: A Savannah Story Is A Sublime And Seductive Reading Experience. Brilliantly Conceived And Masterfully Written, This Enormously Engaging Portrait Of A Most Beguiling Southern City Is Certain To Become A Modern Classic.--book Jacket. An Evening In Mercer House -- Destination Unknown -- The Sentimental Gentleman -- Settling In -- The Inventor -- The Lady Of Six Thousand Songs -- The Grand Empress Of Savannah -- Sweet Georgia Brown's -- A Walking Streak Of Sex -- It Ain't Braggin' If Y'really Done It -- News Flash -- Gunplay -- Checks And Balances -- The Party Of The Year -- Civic Duty -- Trial -- A Hole In The Floor -- Midnight In The Garden Of Good And Evil -- Lafayette Square, We Are Here -- Sonny -- Notes On A Rerun -- The Pod -- Lunch -- Black Minuet -- Talk Of The Town -- Another Story -- Lucky Number -- Glory -- And The Angels Sing. John Berendt.

Shots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.

It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the...

Library Journal

It's difficult to categorize this book. On one level, it is a travelogue, recounting former New York magazine editor Berendt's eight years in Savannah, Georgia, that beautifully preserved hothouse of the South where eccentric characters like black drag queen Lady Chablis and charming con man Joe Odom blossom in rich profusion. It is also a true-crime tale, the saga of antiques dealer Jim Williams whose 1981 shooting of his sometime lover Danny Hansford in the historic Mercer House obsesses Savannah denizens; they watch as Williams endures four trials and is eventually acquitted, only to die of a heart attack a few months later, haunted (some say) by Hansford's vengeful ghost. Although non-fiction, Berendt's book reads like a novel (he admits he has taken 'certain storytelling liberties'), and this reviewer sometimes wondered where the truth ends and the fiction begins. Still, this entertaining book will appeal to many readers.-- Wilda Williams

Read John Berendt's Midnight in the Garden of Good and Evil in Large Print. All Random House Large Print editions are published in a 16-point typefaceShots rang out in Savannah's grandest mansion in the misty,early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. John Berendt's sharply observed, suspenseful, and witty narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case.It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproariously funny black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Midnight in the Garden of Good and Evil: A Savannah Story is a sublime and seductive reading experience. Brilliantly conceived and masterfully written, this enormously engaging portrait of a most beguiling Southern city is certain to become a modern classic.From the Trade Paperback edition. Shots rang out in Savannah's grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this city of moss-hung oaks and shaded squares. John Berendt's narrative reads like a thoroughly engrossing novel, and yet it is a work of nonfiction. Berendt interweaves a first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. The story is peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman's Card Club; the turbulent young redneck gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the "soul of pampered self-absorption"; the uproarious black drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young blacks dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. He was tall, about fifty, with darkly handsome, almost sinister features: a neatly trimmed mustache, hair turning silver at the temples, and eyes so black they were like the tinted windows of a sleek limousine-he could see out, but you couldn't see in. In charming, beautiful, and wealthy old-South Savannah, Georgia, the local bad boy is shot dead inside of the opulent mansion of a gay antiques dealer, and a gripping trial follows