میکروتاریخ‌های حافظه: بازسازی هولوکاست با گلوله‌ها در آلمان غربی پس از جنگ

The West German novel, radio play, and television series, __Through the Night__ (__Am grünen Strand der Spree, 1955-1960__), which depicts the mass shootings of Jews in the occupied Soviet Union during World War II, has been gradually regaining popularity in recent years. Originally circulated in post-war West Germany, the cultural memories of the holocaust embedded within this multi-medium construction present different forms of historical conceptualization. Using numerous archival sources__, Microhistories of Memory__ brings forward three comprehensive case studies on the impact, actors, and materiality of accounts surrounding questions of circulation of cultural memory, audience reception, production, and popularity of __Through the Night__ in its different mediums since its first appearance. The West German novel, radio play, and television series Through the Night (Am grünen Strand der Spree, 1955–1960), which depicts the mass shootings of Jews in the occupied Soviet Union during World War II, has gradually regained popularity in recent years. Originally circulated in postwar West Germany, the Holocaust representations embedded in this multi-medium work have shaped cultural memories up until today. Using numerous archival sources, Microhistories of Memory presents three comprehensive case studies to explore production, reception, and circulation of cultural memories, demonstrating the power of informal communication and providing behind-the-scenes insight into postwar memory culture in West Germany. Contents List of Illustrations Acknowledgments List of Abbreviations Prologue. Orsha 1941 Introduction. Why Three Stories on Through the Night? Chapter 1. First Story: Actors and Institutions Chapter 2. Second Story: Authenticity and Affects Chapter 3. Third Story: Media and Technologies Conclusion. Dead Ends in Memory Culture References and Sources Filmography Index