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پرسپکتیوهای مسیان. ۱، منابع و تأثیرات

Messiaen perspectives. 1, Sources and influences

معرفی کتاب «پرسپکتیوهای مسیان. ۱، منابع و تأثیرات» (با عنوان لاتین Messiaen perspectives. 1, Sources and influences) نوشتهٔ Christopher Philip Dingle; Robert Fallon، منتشرشده توسط نشر Ashgate Pub Co در سال 2013. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Focusing on Messiaen's relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen's music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen's compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place and how his music resonates ever more today.Messiaen Perspectives 1: Sources and Influences presents many new primary sources, including discussion of Messiaen's birdsong cahiers, sketch and archival materials for his Prix de Rome entries and war-time Portique, along with performance practice insights and theological inspiration in works as diverse as Visions de l'Amen, Harawi, Timbres-durees and the organ Meditations. The volume places the composer within a broader historical and cultural framework than has previously been attempted, ranging from specific influences to more general contexts. As a centrepiece, the book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod. Cover 1 Contents 6 List of Illustrations 8 List of Figures and Tables 10 List of Music Examples 12 Acknowledgements 16 Editors’ Note 18 Introduction 20 Part I Sources 26 Perspectives on Sources 28 1 Olivier Messiaen and the Prix de Rome as Rite of Passage 32 2 Olivier Messiaen and Portique pour une fille de France 64 3 Formal Genesis in the Sketches for Visions de l’Amen 88 4 From Music for the Radio to a Piano Cycle: Sources for the Vingt Regards sur l’Enfant-Jésus 104 5 My Collaboration with Olivier Messiaen and Yvonne Loriod on Harawi 120 6 Olivier Messiaen’s Timbres-durées 142 7 From Réveil des oiseaux to Catalogue d’oiseaux: Messiaen’s Cahiers de notations des chants d’oiseaux, 1952–59 162 8 In the Beginning Was The Word? An Exploration of the Origins of Méditations sur le mystère de la Sainte Trinité 194 Intermède 214 9 Yvonne Loriod as Source and Influence 216 Part II Influences 230 Perspectives on Influences 232 10 Messiaen and Mozart: A Love without Influence? 236 11 Messiaen and the Romantic Gesture: Contemplations on his Piano Music and Pianism 254 12 Messiaen and the Problem of Communication 276 13 Messiaen and Art Sacré 288 14 Messiaen, the Cinq Rechants and ‘Spiritual Violence’ 298 15 Messiaen in Retrospect 332 Appendix: Yvonne Loriod Discography 342 Select Bibliography 358 Discography 370 Notes on Contributors 372 Index 380 Contents for Volume 2 388 Focusing on Messiaen's relation to history - both his own and the history he engendered - the Messiaen Perspectives volumes convey the growing understanding of his deep and varied interconnections with his cultural milieux. Messiaen Perspectives 1: Sources and Influences examines the genesis, sources and cultural pressures that shaped Messiaen's music. Messiaen Perspectives 2: Techniques, Influence and Reception analyses Messiaen's compositional approach and the repercussions of his music. While each book offers a coherent collection in itself, together these complementary volumes elucidate how powerfully Messiaen was embedded in his time and place, and how his music resonates ever more today. Messiaen Perspectives 1: Sources and Influences presents many new primary sources, including discussion of Messiaen's birdsong cahiers, sketch and archival materials for his Prix de Rome entries and war-time Portique, along with performance practice insights and theological inspiration in works as diverse as Visions de l'Amen, Harawi, Timbres-durées and the organ Méditations. The volume places the composer within a broader historical and cultural framework than has previously been attempted, ranging from specific influences to more general contexts. As a centrepiece, the book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod. "Messiaen Perspectives 1: Sources and Influences presents many new primary sources ... The volume places the composer within a broader historical and cultural framework than has previously been attempted, ranging from specific influences to more general contexts. As a centrepiece, the book includes an examination of the impact of one of the greatest influences upon Messiaen, Yvonne Loriod."--Back cover
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