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Melville and the Idea of Blackness: Race and Imperialism in Nineteenth Century America (Cambridge Studies in American Literature and Culture, Series Number 164)

معرفی کتاب «Melville and the Idea of Blackness: Race and Imperialism in Nineteenth Century America (Cambridge Studies in American Literature and Culture, Series Number 164)» نوشتهٔ Freeburg, Christopher;Melville, Herman، منتشرشده توسط نشر Cambridge University Press (Virtual Publishing) در سال 2015. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

By Examining The Unique Problems That Blackness Signifies In Moby-dick, Pierre, Benito Cereno, And The Encantadas, Christopher Freeburg Analyzes How Herman Melville Grapples With The Social Realities Of Racial Difference In Nineteenth-century America. Where Melville's Critics Typically Read Blackness As Either A Metaphor For The Haunting Power Of Slavery Or An Allegory Of Moral Evil, Freeburg Asserts That Blackness Functions As The Site Where Melville Correlates The Sociopolitical Challenges Of Transatlantic Slavery And U.s. Colonial Expansion With Philosophical Concerns About Mastery. By Focusing On Melville's Iconic Interracial Encounters, Freeburg Reveals The Important Role Blackness Plays In Melville's Portrayal Of Characters' Arduous Attempts To Seize Their Own Destiny, Amass Scientific Knowledge, And Perfect Themselves. A Valuable Resource For Scholars And Graduate Students In American Literature, This Text Will Also Appeal To Those Working In American, African American, And Postcolonial Studies. -- Publisher's Description Knowing The Bottomless Deep: Moby-dick -- Living Within The Maelstrom: Pierre -- Thwarting The Regulated Mind: Benito Cereno -- Embodying The Assaults Of Time: The Encantadas. Christopher Freeburg. Includes Bibliographical References And Index. Freeburg analyzes how Melville grapples with realities of racial difference in nineteenth-century America by examining the important role that 'blackness' plays in Melville's fiction. A valuable resource for scholars and graduate students in American literature, this text will also appeal to those working in American, African American and postcolonial studies. Acknowledgments Preface: darkening the past Introduction: resurrecting blackness 1. Knowing the 'bottomless deep': Moby-Dick 2. Living 'within the maelstrom': Pierre 3. Thwarting the 'regulated mind': 'Benito Cereno' 4. Embodying the 'assaults of time': 'The Encantadas' Notes.
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