Melancholy and the Archive: Trauma, History and Memory in the Contemporary Novel (Continuum Literary Studies)
معرفی کتاب «Melancholy and the Archive: Trauma, History and Memory in the Contemporary Novel (Continuum Literary Studies)» نوشتهٔ Jonathan Boulter، منتشرشده توسط نشر Bloomsbury Academic & Professional در سال 2011. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.
This is an analysis of the relationship between memory, history and the protocols of mourning in key novels by Paul Auster, Jose Saramago, David Mitchell, and, Haruki Murakami. "Melancholy and the Archive" examines how trauma, history and memory are represented in key works of major contemporary writers (David Mitchell, Paul Auster, Haruki Murakami, Jose Saramago). The book explores how these authors construct crucial relationships between sites of memory - the archive becomes a central trope here - and the self that has been subjected to various traumas, various losses. The archive - be it a bureaucratic office (Saramago), an underground bunker (Auster), a geographical space or landscape (Mitchell) or even a hole (Murakami) - becomes the means by which the self attempts to preserve and conserve his or her sense of history even as the economy of trauma threatens to erase the grounds of such preservation: as the subject or self is threatened so the archive becomes a festishized site wherein history is housed, accommodated, created, even fabricated. The archive, in Freudian terms, becomes a space of melancholy precisely as the subject preserves not only a personal history or a culture's history, but also the history of the traumas that necessitates the creation of the archive as such "Melancholy and the Archive examines how trauma, history and memory are represented in key works of major contemporary writers (David Mitchell, Paul Auster, Haruki Murakami, Jose Saramago). The book explores how these authors construct crucial relationships between sites of memory the archive becomes a central trope here and the self that has been subjected to various traumas, various losses. The archive be it a bureaucratic office (Saramago), an underground bunker (Auster), a geographical space or landscape (Mitchell) or even a hole (Murakami) becomes the means by which the self attempts to preserve and conserve his or her sense of history even as the economy of trauma threatens to erase the grounds of such preservation."--Back cover Introduction -- Archiving Trauma : Paul Auster -- Burying History : Haruki Murakami -- Humanizing History : David Mitchell -- Archiving Melancholy : José Saramago -- Conclusion. Jonathan Boulter. Includes Bibliographical References (p. [198]-203) And Index.
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