Media of Reason: A Theory of Rationality (New Directions in Critical Theory Book 18)

Matthias Vogel challenges the belief, dominant in contemporary philosophy, that reason is determined solely by our discursive, linguistic abilities as communicative beings. In his view, the medium of language is not the only force of reason. Music, art, and other nonlinguistic forms of communication and understanding are also significant. Introducing an expansive theory of mind that accounts for highly sophisticated, penetrative media, Vogel advances a novel conception of rationality while freeing philosophy from its exclusive attachment to linguistics. Vogel's media of reason treats all kinds of understanding and thought, propositional and nonpropositional, as important to the processes and production of knowledge and thinking. By developing an account of rationality grounded in a new conception of media, he raises the profile of the prelinguistic and nonlinguistic dimensions of rationality and advances the Enlightenment project, buffering it against the postmodern critique that the movement fails to appreciate aesthetic experience. Guided by the work of Jürgen Habermas, Donald Davidson, and a range of media theorists, including Marshall McLuhan, Vogel rebuilds, if he does not remake, the relationship among various forms of media--books, movies, newspapers, the Internet, and television--while offering an original and exciting contribution to media theory. Matthias Vogel holds a chair in theoretical philosophy at the University of Giessen, Germany. Publisher's note

Matthias Vogel challenges the belief, dominant in contemporary philosophy, that reason is determined solely by our discursive, linguistic abilities as communicative beings. In his view, the medium of language is not the only force of reason. Music, art, and other nonlinguistic forms of communication and understanding are also significant. Introducing an expansive theory of mind that accounts for highly sophisticated, penetrative media, Vogel advances a novel conception of rationality while freeing philosophy from its exclusive attachment to linguistics.

Vogel's media of reason treats all kinds of understanding and thought, propositional and nonpropositional, as important to the processes and production of knowledge and thinking. By developing an account of rationality grounded in a new conception of media, he raises the profile of the prelinguistic and nonlinguistic dimensions of rationality and advances the Enlightenment project, buffering it against the postmodern critique that the movement fails to appreciate aesthetic experience.

Guided by the work of JÃ1⁄4rgen Habermas, Donald Davidson, and a range of media theorists, including Marshall McLuhan, Vogel rebuilds, if he does not remake, the relationship among various forms of media -- books, movies, newspapers, the Internet, and television -- while offering an original and exciting contribution to media theory.

Columbia University Press

Matthias Vogel challenges the belief, dominant in contemporary philosophy, that reason is determined solely by our discursive, linguistic abilities as communicative beings. In his view, the medium of language is not the only force of reason. Music, art, and other nonlinguistic forms of communication and understanding are also significant. Introducing an expansive theory of mind that accounts for highly sophisticated, penetrative media, Vogel advances a novel conception of rationality while freeing philosophy from its exclusive attachment to linguistics. Vogel's media of reason treats all kinds of understanding and thought, propositional and nonpropositional, as important to the processes and production of knowledge and thinking. By developing an account of rationality grounded in a new conception of media, he raises the profile of the prelinguistic and nonlinguistic dimensions of rationality and advances the Enlightenment project, buffering it against the postmodern critique that the movement fails to appreciate aesthetic experience. Guided by the work of Jurgen Habermas, Donald Davidson, and a range of media theorists, including Marshall McLuhan, Vogel rebuilds, if he does not remake, the relationship among various forms of media -- books, movies, newspapers, the Internet, and television -- while offering an original and exciting contribution to media theory Contents Foreword Translator's Preface 1. Introduction 1.1 On the Situation of the Project of the Enlightenment 1.2 What Is Enlightenment? 1.3 How to Achieve the Enlightenment 1.4 Orienting Reflections on the Theory of Rationality 2. What Are Media? 2.1 Sociological Theory of Media 2.2 Media and Technology 2.3 Dewey's Action-Theoretic Conception of Media 3. Toward a General Theory of Media 3.1 Introduction 3.2 An Interpretationaism Expanded by Media Theory 3.3 Further Theoretical Foundations of Media Theory 4. The Consequences For a Concept of Rationality 4.1 The Explicative Benefits 4.2 The Normative Returns Notes Bibliography Index Matthias Vogel challenges the belief, promoted by many contemporary philosophers, that reason is determined solely by our discursive, linguistic abilities as communicative beings. In his view, the medium of language is not the only force of reason?music, art, and other nonlinguistic forms of communication and understanding are also significant factors. Introducing an expansive theory of the mind that accounts for highly sophisticated, penetrative media, Vogel advances a novel conception of rationality while freeing philosophy from its attachment to linguistics. Vogel's media of rat On the situation of the project of the enlightenment What is enlightenment? How to achieve the enlightenment Orientating reflections on the theory of rationality Why a theory of rationality as a theory of media? What are media? Sociological theory of media Media and technology Dewey's action-theoretic conception of media Toward a general theory of media Introduction Interpretationism expanded by media theory Further theoretical foundations of media theory Consequences for a concept of rationality Explicative benefits Normative returns. Matthias Vogel challenges the belief that reason is determined solely by our discursive, linguistic abilities as communicative beings. In his view, the medium of language is not the only force of reason, that music, art and other nonlinguistic forms of communication are also significant.