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Mayan Astronomy: The History of the Maya’s Measurements of the Planets and Stars

معرفی کتاب «Mayan Astronomy: The History of the Maya’s Measurements of the Planets and Stars» نوشتهٔ Charles River Editors، منتشرشده توسط نشر Charles River Editors در سال 2021. این کتاب در فرمت epub، زبان انگلیسی ارائه شده است.

\*Includes pictures \*Includes a bibliography for further reading \*Includes a table of contents Many ancient civilizations have influenced and inspired people in the 21st century, and the Greeks and Romans continue to fascinate the West today, but of all the world’s civilizations, none have intrigued people more than the Mayans, whose culture, astronomy, language, and mysterious disappearance all continue to captivate people. In the past decade especially, there has been a renewed focus on the Mayans, whose advanced calendar led many to speculate the world would end on the same date the Mayan calendar ended in 2012. The focus on the “doomsday” scenario, however, overshadowed the Mayans’ true contributions to astronomy, language, sports, and art. While many incorrectly presume that the Maya were predicting the world to end on that date, it is not a coincidence that their calendar ended on the winter solstice. The Maya developed a sophisticated method of calculating and creating a calendar that is astonishing even by today’s standards, and their advancements in applied mathematics not only has intrigued archaeologists but has been incorporated into the beliefs of New Agers and modern apocalyptic doomsayers. In the history of arithmetic, their use of zero stands as a milestone of great significance, which placed them ahead of contemporary Europeans. In Europe, this essential concept was not part of the canon of calculation until the Renaissance. For the Maya, astronomy was not a purely scientific pursuit but intimately linked to religious, mythological, and ideological elements that were of the highest importance. The celestial realm held a sacred nature, as did the many gods and goddesses that dwelt there, so for all Mesoamerican cultures, astronomy was a fundamental part of their everyday lives. Thus, astronomy was present in their calendars, religion, and even agriculture, and in close relation to astronomy, the concept of time was also an essential part of their worldview. The Maya recorded time on almost every surface they could, including lintels, cornices, panels, stelae, friezes, ceramics, and paper. This insistence on capturing dates has led many scholars to suggest the Maya were obsessed with time. The Maya had some of the most advanced astronomical measurements in the world, and their work built upon thousands of years, spanning from around 2500 BCE until the the arrival of the Spanish in 1519. Thanks to their hieroglyphic writing, archaeologists have been able to learn a wealth of information about the way they lived and their complex system of beliefs. Susan Milbrath, a leading expert on Mayan astronomy, noted that the “study of Pre-Columbian Maya astronomical imagery must begin with an understanding of the contemporary Maya worldview, because we cannot hope to penetrate the ancient beliefs without an understanding of what the Maya say about the heavens today.” Many contemporary Mayans still use one or several of the ancient calendars, as well as Precolumbian rituals and astronomical cycles. __Mayan Astronomy: The History of the Maya’s Measurements of the Planets and Stars__ examines what is known and unknown about the Maya’s astronomy, and why their astronomy was among the most accurate in the world. Along with pictures and a bibliography for further reading, you will learn about Mayan astronomy like never before. This volume offers new calendrical models and methodologies for reading, dating, and interpreting the general significance of the Madrid Codex. The longest of the surviving Maya codices, this manuscript includes texts and images painted by scribes conversant in Maya hieroglyphic writing, a written means of communication practiced by Maya elites from the second to the fifteenth centuries A.D. Some scholars have recently argued that the Madrid Codex originated in the Petén region of Guatemala and postdates European contact. The contributors to this volume challenge that view by demonstrating convincingly that it originated in northern Yucatán and was painted in the Pre-Columbian era. In addition, several contributors reveal provocative connections among the Madrid and Borgia group of codices from Central Mexico. Contributors include: Harvey M. Bricker, Victoria R. Bricker, John F. Chuchiak IV, Christine L. Hernández, Bryan R. Just, Merideth Paxton, and John Pohl. Additional support for this publication was generously provided by the Eugene M. Kayden Fund at the University of Colorado. Annotation This volume offers new calendrical models and methodologies for reading, dating, and interpreting the general significance of the Madrid Codex. The longest of the surviving Maya codices, this manuscript includes texts and images painted by scribes conversant in Maya hieroglyphic writing, a written means of communication practiced by Maya elites from the second to the fifteenth centuries A.D. Some scholars have recently argued that the Madrid Codex originated in the Peten region of Guatemala and postdates European contact. The contributors to this volume challenge that view by demonstrating convincingly that it originated in northern Yucatan and was painted in the Pre-Columbian era. In addition, several contributors reveal provocative connections among the Madrid and Borgia group of codices from Central Mexico. This volume offers new calendrical models and methodologies for reading, dating, and interpreting the general significance of the Madrid Codex. The longest of the surviving Maya codices, the Madrid Codex includes texts and images painted by scribes conversant in Maya hieroglyphic writing, a written means of communication practiced by Maya elites from the second to the fifteenth centuries A.D. Some scholars have recently argued that the Madrid Codex originated in the Petén region of Guatemala and post-dates European contact. The contributors to this volume challenge that view by demonstrating convincingly that it originated in northern Yucatán and was painted in the Pre-Columbian era. In addition, several contributors reveal provocative connections among the Madrid and Borgia group of codices from Central Mexico
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