Max Havelaar: Or, the Coffee Auctions of The Dutch Trading Company (New York Review Books Classics)

A fierce indictment of colonialism, Max Havelaar is a masterpiece of Dutch literature based on the author's own experience as an adminstrator in the Dutch East Indies in the 1850s. The Dutch East Indies, January 1856. The new Assistant Resident, Max Havelaar, arrives in the remote regency of Lebak, preceded by his reputation as a quixotic idealist. Some think him a fool, others a genius, but "one thing is certain: he was an unusual man, and worthy of observation." As Havelaar crusades against corruption, he makes a few unsettling observations of his own. Why don't the financial statements add up? Was the previous Assistant Resident's death really an accident? And why are his superiors obstructing his efforts to learn the truth? A few years later in Amsterdam, the stolid Dutch coffee broker Batavus Drystubble obtains Havelaar's papers from the threadbare Scarfman, who wanders the streets in search of work. Drystubble pores over the documents in the hopes of... Introduction by Parmoedya Ananta Toer00A fierce indictment of colonialism, Max Havelaar is a masterpiece of Dutch literature based on the author's own experience as an adminstrator in the Dutch East Indies in the 1850s.00A brilliantly inventive fiction that is also a work of burning political outrage, Max Havelaar tells the story of a renegade Dutch colonial administrator?s ultimately unavailing struggle to end the exploitation of the Indonesian peasantry. Havelaar?s impassioned exposé is framed by the fatuous reflections of an Amsterdam coffee trader, Drystubble, into whose hands it has fallen. Thus a tale of the jungles and villages of Indonesia is interknit with one of the houses and warehouses of bourgeois Amsterdam where the tidy profits from faraway brutality not only accrue but are counted as a sign of God?s grace.00Multatuli (meaning?I have suffered greatly?) was the pen name of Eduard Douwes Dekker, and his novel caused a political storm when it came out in Holland. Max Havelaar, however, is as notable for its art as it is for its politics. Layering not only different stories but different ways of writing?including plays, poems, lists, letters, and a wild accumulation of notes?to furious, hilarious, and disconcerting effect, this masterpiece of Dutch literature confronts the fixities of power with the protean and subversive energy of the imagination A fierce indictment of colonialism, Max Havelaar is a masterpiece of Dutch literature based on the author's own experience as an adminstrator in the Dutch East Indies in the 1850s. A brilliantly inventive fiction that is also a work of burning political outrage, Max Havelaar tells the story of a renegade Dutch colonial administrator’s ultimately unavailing struggle to end the exploitation of the Indonesian peasantry. Havelaar’s impassioned exposé is framed by the fatuous reflections of an Amsterdam coffee trader, Drystubble, into whose hands it has fallen. Thus a tale of the jungles and villages of Indonesia is interknit with one of the houses and warehouses of bourgeois Amsterdam where the tidy profits from faraway brutality not only accrue but are counted as a sign of God’s grace. Multatuli (meaning “I have suffered greatly”) was the pen name of Eduard Douwes Dekker, and his novel caused a political storm when it came out in Holland. Max Havelaar , however, is as notable for its art as it is for its politics. Layering not only different stories but different ways of writing—including plays, poems, lists, letters, and a wild accumulation of notes—to furious, hilarious, and disconcerting effect, this masterpiece of Dutch literature confronts the fixities of power with the protean and subversive energy of the imagination. "The Dutch East Indies, January 1856. The new assistant resident, Max Havelaar, arrives in the remote regency of Lebak, preceded by his reputation as a quixotic idealist. Some think him a fool, others a genius, but "one thing is certain: he was an unusual man, and worthy of observation." As Havelaar crusades against corruption, he makes a few unsettling observations of his own. Why don't the financial statements add up? Did the previous assistant resident really die a natural death? And why are his superiors obstructing his efforts to learn the truth? A few years later in Amsterdam, the stolid Dutch coffee broker Batavus Drystubble obtains Havelaar's papers from the threadbare Shawlman, who wanders the streets in search of work. Drystubble pores over the documents in the hopes of lucrative revelations about the coffee trade. But his spirited young son Frits and romanticsouled German assistant Ernest Stern discover something much more astonishing: a scandal that strikes at the heart of the whole Dutch colonial enterprise... Based on the author's true experiences as an administrator in Java, Max Havelaar is a fiery indictment of colonial misrule and one of the masterpieces of Dutch literature. This is the first new English translation of Multatuli's furious and funny masterpiece in more than fifty years"-- Provided by publisher **Max Havelaar; or, The Coffee Auctions of the Dutch Trading Company** (Dutch: *Max Havelaar; of, De koffi-veilingen der Nederlandsche Handel-Maatschappy*) is an 1860 novel by Multatuli (the pen name of Eduard Douwes Dekker), which played a key role in shaping and modifying Dutch colonial policy in the Dutch East Indies in the nineteenth and early twentieth century. In the novel, the protagonist, Max Havelaar, tries to battle against a corrupt government system in Java, which was then a Dutch colony. The novel's opening line is famous: "Ik ben makelaar in koffie, en woon op de Lauriergracht, No 37." ("I am a coffee broker, and live on the Lauriergracht, No 37."). (Source: [Wikipedia](https://en.wikipedia.org/wiki/Max_Havelaar)) Een Nederlandse bestuursambtenaar in Indië komt in conflict met een inlandse vorst. NL-ZmNBD