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Maria Irene Fornes (Routledge Modern and Contemporary Dramatists)

معرفی کتاب «Maria Irene Fornes (Routledge Modern and Contemporary Dramatists)» نوشتهٔ Cummings, Scott T.;Fornes, Maria Irene;Fornés, María Irene، منتشرشده توسط نشر Routledge در سال 2013. این کتاب در فرمت pdf، زبان انگلیسی ارائه شده است.

Maria Irene Fornes Is The Most Influential Female American Dramatist Of The 20th Century. That Is The Argument Of This Important New Study, The First To Assess Fornes's Complete Body Of Work. Scott T. Cummings Considers Comic Sketches, Opera Libretti And Unpublished Pieces, As Well As Her Best-known Plays, In Order To Trace The Evolution Of Her Dramaturgy From The Whimsical Off-off Broadway Plays Of The 1960s To The Sober, Meditative Work Of The 1990s. The Book Also Reflects On Her Practice As An Inspirational Teacher Of Playwriting And The Primary Director Of Her Own Plays. Overview -- The 1960s. Getting Started -- Off-off Broadway: The Good Scene -- Key Play: Promenade (the Apotheosis Of Judson) -- The 1970s. Finding A Way -- Key Play: Fefu And Her Friends (turning Over The Stone) -- The 1980s. Found -- The Paj Plays -- Key Play: Abingdon Square (conquering The Vagueness) -- The 1990s. The Night Plays -- Coming To An End. Scott T. Cummings. Includes Bibliographical References And Index.

Maria Irene Fornes is the most influential female American dramatist of the 20th century. That is the argument of this important new study, the first to assess Fornes's complete body of work.

Scott T. Cummings considers comic sketches, opera libretti and unpublished pieces, as well as her best-known plays, in order to trace the evolution of her dramaturgy from the whimsical Off-Off Broadway plays of the 1960s to the sober, meditative work of the 1990s. The book also reflects on her practice as an inspirational teacher of playwriting and the primary director of her own plays.

Drawing on the latest scholarship and his own personal research and interviews with Fornes over two decades, Cummings examines Fornes's unique significance and outlines strategies for understanding her fragmentary, enigmatic, highly demanding theater.

Maria Irene Fornes provides an enlightening introduction to a pivotal figure in both Hispanic-American and experimental theater. From her theatrical origins in 1960s Cuba to her precedent plays for the US stage, this book presents an important guide of work of this politically-charged playwright.
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