Manhattan Projects : The Rise and Fall of Urban Renewal in Cold War New York

moving Beyond The Usual Good-versus-evil Story That Pits Master-planner Robert Moses Against The Plucky Neighborhood Advocate Jane Jacobs, Samuel Zipp Sheds New Light On The Rise And Fall Of New York's Urban Renewal In The Decades After World War Ii. Focusing On Four Iconic Manhattan Projects—the United Nations Building, Stuyvesant Town, Lincoln Center, And The Great Swaths Of Public Housing In East Harlem—zipp Unearths A Host Of Forgotten Stories And Characters That Flesh Out The Conventional History Of Urban Renewal. He Shows How Boosters Hoped To Make Manhattan The Capital Of Modernity And A Symbol Of American Power, But Even As The Builders Executed Their Plans, A Chorus Of Critics Revealed The Dark Side Of Those Cold War Visions, Attacking Urban Renewal For Perpetuating Deindustrialization, Racial Segregation, And Class Division; For Uprooting Thousands, And For Implanting A New, Alienating Cityscape. Cold War-era Urban Renewal Was Not Merely A Failed Planning Ideal, Zipp Concludes, But Also A Crucial Phase In The Transformation Of New York Into Both A World City And One Mired In Urban Crisis. publishers Weekly zipp Highlights Four Post-war Construction Projects In New York City That Significantly Altered The Landscape, Delivering A Measured Critique Of Urban Renewal At A Time When “city Blocks Were Literally Uprooted, Broken Down, And Reconstructed In Geometric Arrangements That Produced A New, Unfamiliar Sense Of Order.” The Author Looks At Efforts That Helped To Create And Maintain Manhattan’s Global Influence On Politics And The Arts: The United Nations Headquarters, For Instance, Designed By A Diverse Group Of 11 Architects, Became “a Kind Of International Territory, Considered Inviolable Under U.s. Law, And Figuratively, Politically, And Aesthetically To No One Nation.” And Lincoln Center Traded “blocks Of Tenements, Warehouses, Factories, And Storefronts For A World-class, Modern Performing Arts Complex That Capped New York’s Campaign To Become The Cultural Capital Of The World.” But The Plans That Perhaps Most Directly Affected Manhattan Residents Include The Construction Of Stuyvesant Town In The 1940s And “vast Belts Of Public Housing... Erected In East Harlem” In The 1950s And ’60s. Though At Times Overly Academic, Zipp’s Deeply-researched And Comprehensive Volume Manages To Give Readers A Strong Sense Of History And A Relevant Social Context In Which To View It. Photos. (june) Contents......Page 14 Introduction......Page 18 Part I: United Nations......Page 46 1. Clearing the Slum Called War......Page 48 Part II: Stuyvesant Town......Page 86 2. Remaking the Ethic of City Rebuilding......Page 88 3. The Mass Home in the Middle-Class Cityscape......Page 129 Part III: Lincoln Square......Page 170 4. Culture and Cold War in the Making of Lincoln Center......Page 172 5. The Battle of Lincoln Square......Page 212 Part IV: East Harlem......Page 266 6. Cold War Public Housing in the Age of Urban Renewal......Page 268 7. Confronting the “Mass Way of Life”......Page 314 Conclusion: Under the Sign of the White Cross......Page 366 Notes......Page 388 A......Page 456 B......Page 457 C......Page 458 E......Page 460 F......Page 462 H......Page 463 J......Page 465 L......Page 466 M......Page 469 N......Page 472 P......Page 474 Q......Page 476 R......Page 477 S......Page 478 T......Page 481 U......Page 482 W......Page 483 Z......Page 484 Clearing the slum called war Remaking the ethic of city rebuilding The mass and middle class cityscape Culture and cold war in the making of Lincoln Center The battle of Lincoln Square Cold war public housing in the age of urban renewal Confronting the "mass way of life" Conclusion: under the sign of the white cross.